Brita Renee Heimarck

Balinese Discourses on Music and Modernization

Village Voices and Urban Views

• Broschiertes Buch

Produktbeschreibung

While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of 'others'. This approach permits a rare view into contemporary Balinese conceptions and practices of music.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 396
• Erscheinungstermin: 3. Juli 2014
• Englisch
• Abmessung: 229mm x 152mm x 21mm
• Gewicht: 572g
• ISBN-13: 9781138810563
• ISBN-10: 1138810568
• Artikelnr.: 40843347

Autorenporträt

Brita Heimarck Renee

Inhaltsangabe

List of Figures List of Tables List of Plates Preface Acknowledgments
Introduction PART ONE: MUSICAL DISCOURSES FROM SUKAWATI: THE TRANSITION
FROM TRADITIONAL TO MODERN Chapter One: Historical Accounts of the Shadow
Play Tradition in Banjar Babakan, Sukawati Chapter Two: Bapak I Wayan
Loceng: Proverbs, Metaphors, and Musical Techniques Chapter Three:
Interviews with the Young Generation of Shadow Play Performers in Banjar
Babakan, Sukawati PART TWO: MUSICAL DISCOURSES IN THE CONTEXT OF STSI, THE
INDONESIAN COLLEGE FOR THE ARTS IN DENPASAR, BALI: STSI AS A MIRROR OF
MODERNIZATION BASED ON CONTINUITY AND CHANGE Chapter Four: The Practices
and Principles of STSI Chapter Five: STSI and Scholarship: Balinese Written
Discourses on Music and the Shadow Play Chapter Six: The Political Role of
STSI Conclusion Appendix 1: Original Indonesian Text of Interviews,
Accounts, Dialogues, and Conversations Appendix 2: Key to the Notation and
Musical Transcription of Sulendra Appendix 3: Original Indonesian Text of
Interviews, Accounts, Dialogues, and Conversations with Faculty and
Students at STSI as well as Brief Citations of Balinese Written Discourses
Appendix 4: The Opening Four Verses of Prakempa: Sebuah Lontar Gambelan
Bali Notes Glossary Bibliography Index