Divi Zheni identifies itself as a Bulgarian women's chorus and band, but it is located in Boston and none of its members come from Bulgaria. Zlatne Uste is one of the most popular purveyors of Balkan music in America, yet the name of the band is grammatically incorrect. The members of Sviraci hail from western Massachusetts, upstate New York, and southern Vermont, but play tamburica music on traditional instruments. Curiously, thousands of Americans not only participate in traditional music and dance from the Balkans, but in fact structure their social practices around it without having any other ties to the region.…mehr
Divi Zheni identifies itself as a Bulgarian women's chorus and band, but it is located in Boston and none of its members come from Bulgaria. Zlatne Uste is one of the most popular purveyors of Balkan music in America, yet the name of the band is grammatically incorrect. The members of Sviraci hail from western Massachusetts, upstate New York, and southern Vermont, but play tamburica music on traditional instruments. Curiously, thousands of Americans not only participate in traditional music and dance from the Balkans, but in fact structure their social practices around it without having any other ties to the region.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mirjana Lausevic (1966-2007) was Professor of Ethnomusicology at the University of Minnesota, Minneapolis. She came to the United States from her native Sarajevo in 1991, where she was a musician, ethnomusicologist, and music commentator on Bosnian radio and television.
Inhaltsangabe
* Introduction * Part I: Ethnography of the Balkan Music and Dance Scene * Chapter 1: The "Balkanites" * Chapter 2: Why Balkan? * Part II: Folk Dancing and Turn of the Century America * Chapter 3: Folk Dancing and the Settlement Movement * Chapter 4: Folk Dancing and the Physical Education and Recreation Movements * Part III: International Folk Dancing Between the 1930s and 1950s * Chapter 5: Dance and Be Merry * Chapter 6: Emergence of the New Folk Dance Leaders: Vytautas Beliajus, Song Chang, Michael Herman * Chapter 7: Folk Dance as a National Trend * Part IV: 1950s and Beyond * Chapter 8: International Folk Dance and the "Balkan Craze" * Chapter 9: The Rise of Balkan Scene * Conclusion * Appendix: Sample Questionnaire * Bibliography * Index * Key to Selections on Companion Website: Video and Audio
* Introduction * Part I: Ethnography of the Balkan Music and Dance Scene * Chapter 1: The "Balkanites" * Chapter 2: Why Balkan? * Part II: Folk Dancing and Turn of the Century America * Chapter 3: Folk Dancing and the Settlement Movement * Chapter 4: Folk Dancing and the Physical Education and Recreation Movements * Part III: International Folk Dancing Between the 1930s and 1950s * Chapter 5: Dance and Be Merry * Chapter 6: Emergence of the New Folk Dance Leaders: Vytautas Beliajus, Song Chang, Michael Herman * Chapter 7: Folk Dance as a National Trend * Part IV: 1950s and Beyond * Chapter 8: International Folk Dance and the "Balkan Craze" * Chapter 9: The Rise of Balkan Scene * Conclusion * Appendix: Sample Questionnaire * Bibliography * Index * Key to Selections on Companion Website: Video and Audio
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