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Balloons, has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Produktbeschreibung
Balloons, has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
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Autorenporträt
Elizabeth Bibesco (née Asquith), born on February 26, 1897, in London, was an English writer and socialite known for her literary endeavours and prominent social connections. The daughter of Herbert Henry Asquith, the British Prime Minister, and his second wife, Margot Tennant, Bibesco was raised amidst the intellectual and political elite of her time. She cultivated a refined literary style, often characterized by its wit and observational acumen. Bibesco's writing career blossomed with the publication of her book 'Balloons', a collection of short stories that reveal her sharp insight into human nature and social nuances. The elegance and subtlety of her prose mirrored the sensibilities of the early 20th-century literary scene, resonating with the sentiments of her contemporaries and the Bloomsbury Group, to which she was tangentially related through social circles (Gillies, M. 'Beyond Bloomsbury: Elizabeth Bibesco', Women: A Cultural Review, 2007). In her lifetime, Bibesco published several well-received volumes of prose, poetry, and a play, combining elements of modernist style with traditional narrative structures. 'Balloons' (1923) remains a testament to her literary craft, showcasing her ability to capture the ephemeral and the profound in everyday experiences. Despite her social stature, her work transcends the mere chronicling of her milieu, offering insight into broader human conditions with a nuanced touch that engages both heart and mind (Bibesco, E. 'Balloons', 1923). Elizabeth Bibesco passed away on April 7, 1945, leaving behind a body of work that, though not extensive, continues to be admired for its elegance and perspicacity.