Baradla Cave - Svankmajerova, Eva
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The novel Baradla Cave has lost none of the force of its social critique and trenchant humor since it originally appeared in samizdat in the 1980s and officially published in 1995 by Edice Analogon. A living organism, Baradla is both place (Prague) and person (a woman), an exploration of maternity and femininity as well as a satirical look at the overweening mother-state and consumer society. The language collage comprising pseudo-scientific jargon, the diction of interwar magazines for women and girls, the demotic, and metaphoric stream is complemented by Jan Svankmajer's erotic collages, as…mehr

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Produktbeschreibung
The novel Baradla Cave has lost none of the force of its social critique and trenchant humor since it originally appeared in samizdat in the 1980s and officially published in 1995 by Edice Analogon. A living organism, Baradla is both place (Prague) and person (a woman), an exploration of maternity and femininity as well as a satirical look at the overweening mother-state and consumer society. The language collage comprising pseudo-scientific jargon, the diction of interwar magazines for women and girls, the demotic, and metaphoric stream is complemented by Jan Svankmajer's erotic collages, as scenes of episodic sexual violence alternate with humorous reflections on various ingrained habits and customs. With a seemingly boundless sense of the absurd, Svankmajerová fingers here practically everything having to do with modern existence: substance abuse, violent sex crimes, rampant consumerism, pervasive corruption, and dysfunctional family relationships.
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Autorenporträt
Eva Svankmajerová was born on September 25, 1940, in the Czech town of Kostelec nad Černými Lesy. She came to Prague in 1954 to study interior design at the School of Applied Arts and later puppetry at the Drama Academy. An active member of the Czech and Slovak Surrealist Group since 1970, she was known for her paintings and ceramic work, and her poetry and prose regularly appeared in the group's journal Analogon. In addition, she collaborated with her husband, Jan Svankmajer, on a number of joint exhibitions and films. She died on October 20, 2005.