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Why were seventeenth-century antiquarians so spectacularly wrong? Even if they knew what ancient monuments looked like, they deliberately distorted the representation of them in print. This pioneering study combines several histories to show how Roman antiquity was transformed to appeal to popes and princes alike in the Baroque period.

Produktbeschreibung
Why were seventeenth-century antiquarians so spectacularly wrong? Even if they knew what ancient monuments looked like, they deliberately distorted the representation of them in print. This pioneering study combines several histories to show how Roman antiquity was transformed to appeal to popes and princes alike in the Baroque period.
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Autorenporträt
Victor Plahte Tschudi is a Professor in Architectural History at the Oslo School of Architecture and Design. He writes on the interpretation of Roman monuments in texts and images from the Renaissance to the present.