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Now available for the first time in paperback, this extraordinary book examines the 'culture of excess' in all its twentieth-century manifestations. Fashion, film, photography, design and interior decoration - all feature in Stephen Calloway's meticulous coverage of the colourful, the opulent and the theatrical. The author examines early examples of Baroque excess - by the Sitwells, Cecil Beaton, Angus McBean and others - as well as the darker Baroque spirit of the wartime Neo-Romantics and film-makers such as Fellini and Jarman. Tracing the Baroque tendency all the way into the 1990s, he…mehr

Produktbeschreibung
Now available for the first time in paperback, this extraordinary book examines the 'culture of excess' in all its twentieth-century manifestations. Fashion, film, photography, design and interior decoration - all feature in Stephen Calloway's meticulous coverage of the colourful, the opulent and the theatrical. The author examines early examples of Baroque excess - by the Sitwells, Cecil Beaton, Angus McBean and others - as well as the darker Baroque spirit of the wartime Neo-Romantics and film-makers such as Fellini and Jarman. Tracing the Baroque tendency all the way into the 1990s, he shows how ideas have been cross-fertilized, providing links between such unlikely bedfellows as Leon Bakst and Luis Buñuel, Coco Chanel and Nigel Coates, Liberace and Lacroix. Illustrated with a wealth of photographs, this book provides a celebration that is truly Baroque in substance and in spirit.
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Autorenporträt
Stephen Calloway is a writer, journalist, lecturer, designer and consultant on historic interiors. He was formerly Curator of Paintings at the Victoria & Albert Museum, London.