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This selection of essays on historical performance practice of the Baroque era includes the key essays from recent scholarly research which, eventually, changed both the way performers approach Baroque music, and the way audiences listen to it. Topics covered include historical instruments, pitch, tuning, temperament, the nexus between technique an

Produktbeschreibung
This selection of essays on historical performance practice of the Baroque era includes the key essays from recent scholarly research which, eventually, changed both the way performers approach Baroque music, and the way audiences listen to it. Topics covered include historical instruments, pitch, tuning, temperament, the nexus between technique an
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Autorenporträt
Peter Walls is Emeritus Professor of Music at Victoria University of Wellington. He is the author of Music in the English Courtly Masque (Oxford: the Clarendon Press, 1996), History, Imagination and the Performance of Music (Woodbridge: Boydell, 2003) and numerous articles on historical performance practice. A baroque violinist and conductor, he is currently Chief Executive of the New Zealand Symphony Orchestra.