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BARRY LYNDON was to be hailed by competent critics as one of Thackeray's finest performances, though the author himself seems to have had no strong regard for the story. His daughter has recorded, "My father once said to me when I was a girl: 'You needn't read Barry Lyndon, you won't like it.' Indeed, it is scarcely a book to like, but one to admire and to wonder at for its consummate power and mastery." Mr. Leslie Stephen says: "All later critics have recognized in this book one of his most powerful performances. In directness and vigor he never surpassed it." Novelist, Anthony Trollope, has…mehr

Produktbeschreibung
BARRY LYNDON was to be hailed by competent critics as one of Thackeray's finest performances, though the author himself seems to have had no strong regard for the story. His daughter has recorded, "My father once said to me when I was a girl: 'You needn't read Barry Lyndon, you won't like it.' Indeed, it is scarcely a book to like, but one to admire and to wonder at for its consummate power and mastery." Mr. Leslie Stephen says: "All later critics have recognized in this book one of his most powerful performances. In directness and vigor he never surpassed it." Novelist, Anthony Trollope, has said of it: "In imagination, language, construction, and general literary capacity, Thackeray never did anything more remarkable than BARRY LYNDON."
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Autorenporträt
William Makepeace Thackeray (1811 - 1863) was a British novelist and author. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy.