Introduces the essential aspects of the directorial process, focusing on the requirements of short films. This book looks at the balancing act of art and business, offering guidelines and basic principles. It also covers the three key stages of the film-making process - pre-production, production and postproduction.
Introduces the essential aspects of the directorial process, focusing on the requirements of short films. This book looks at the balancing act of art and business, offering guidelines and basic principles. It also covers the three key stages of the film-making process - pre-production, production and postproduction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business? The production team Theories and their application Directing: The vision Avoiding Alan Smithee Exercises. Pre-production: The pre-production team Working with script Case study: Peter Hunt Image composition Storyboards Locations Casting Cast study: Mike Leigh Rehearsing actors Mark Herman interview Exercises. Production: The production team Case study: Robert Rodriguez The director as artist Working with sound and image Setting the shot Case study: Martin Scorsese Production equipment Production effects Working on location The first assistant director Working with actors Non-professional actors Reviewing your material Mark Herman interview Exercise. Post-production: The post-production team Editing systems The grammar of the edit Case study: Sergei Eisenstein Sound and music The finishing touches Exhibition and distribution Case study: Miles Watts Consent, clearance and copyright Mark Herman interview Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business? The production team Theories and their application Directing: The vision Avoiding Alan Smithee Exercises. Pre-production: The pre-production team Working with script Case study: Peter Hunt Image composition Storyboards Locations Casting Cast study: Mike Leigh Rehearsing actors Mark Herman interview Exercises. Production: The production team Case study: Robert Rodriguez The director as artist Working with sound and image Setting the shot Case study: Martin Scorsese Production equipment Production effects Working on location The first assistant director Working with actors Non-professional actors Reviewing your material Mark Herman interview Exercise. Post-production: The post-production team Editing systems The grammar of the edit Case study: Sergei Eisenstein Sound and music The finishing touches Exhibition and distribution Case study: Miles Watts Consent, clearance and copyright Mark Herman interview Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
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