Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making.
Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making.
Phil Malpas is a freelance photographer and writer based in Swindon. He was previously a director of Photofolio, a commercial gallery in the north of England, and is a regular contributor to various magazines. Working with both large-format and digital cameras, Phil teaches photographic techniques both locally and with photographic tours around the world.
Inhaltsangabe
How to get the most out of this book Introduction Chapter One: Colour theory The colour wheel Primary, secondary and tertiary colours Complementary colours Colour harmony Additive colour Subtractive colour Examples Chapter Two: Vision The human eye Colour constancy and metamerism Colour blindness Psychological influences Cultural influences Chapter Three: Light The electromagnetic spectrum Colour temperature Infrared Chapter Three: Photographic colour Colour films Daylight and tungsten balance Digital colour Chapter Four: Filtration Filter systems The Kodak Wratten series Mired and mired shift Colour temperature filters Neutral density filters Polarising filters Artificial light Chapter Five: Using colour Limiting the colour palette Colour for impact Colour and emotion Colour and time Chapter Six: Processing and printing Using RAW files and RAW conversion Adobe Photoshop Toned monochrome Colour management Digital printing Chapter Seven: Colour captured William Lesch Joe Cornish Wilson Tsoi Sue Bishop Steve McCurry Conclusion Glossary Acknowledgements, contacts and credits
How to get the most out of this book Introduction Chapter One: Colour theory The colour wheel Primary, secondary and tertiary colours Complementary colours Colour harmony Additive colour Subtractive colour Examples Chapter Two: Vision The human eye Colour constancy and metamerism Colour blindness Psychological influences Cultural influences Chapter Three: Light The electromagnetic spectrum Colour temperature Infrared Chapter Three: Photographic colour Colour films Daylight and tungsten balance Digital colour Chapter Four: Filtration Filter systems The Kodak Wratten series Mired and mired shift Colour temperature filters Neutral density filters Polarising filters Artificial light Chapter Five: Using colour Limiting the colour palette Colour for impact Colour and emotion Colour and time Chapter Six: Processing and printing Using RAW files and RAW conversion Adobe Photoshop Toned monochrome Colour management Digital printing Chapter Seven: Colour captured William Lesch Joe Cornish Wilson Tsoi Sue Bishop Steve McCurry Conclusion Glossary Acknowledgements, contacts and credits
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