Reorients conventional understandings of Canadian First World War poetry. By focusing on poems about the Canadian soldier, Battle Lines reveals the period's robust literary activity and its conflicting poetic renditions of battle romance and modernist fractiousness.
Reorients conventional understandings of Canadian First World War poetry. By focusing on poems about the Canadian soldier, Battle Lines reveals the period's robust literary activity and its conflicting poetic renditions of battle romance and modernist fractiousness.
Joel Baetz is a senior lecturer at Trent University. He is the editor of Canadian Poetry from World War I: An Anthology (2010).
Inhaltsangabe
Table of Contents Introduction 1. War Is a Force that Brings Us Together: Douglas Leader Durkin's Anthems, the Gender of War, and Helena Coleman's Marching Men 2. We Are the Living: Rupert Brooke, John McCrae, and the Economy of Mourning 3. Dreaming about War: Robert Service's War Journalism and Poetry 4. The Blunt Swords of Georgianism: Frank Prewett's War Poetry 5. Battle Ground: Ross's Wartime Modernism and Neo-Romantic Cliché Conclusion
Table of Contents Introduction 1. War Is a Force that Brings Us Together: Douglas Leader Durkin's Anthems, the Gender of War, and Helena Coleman's Marching Men 2. We Are the Living: Rupert Brooke, John McCrae, and the Economy of Mourning 3. Dreaming about War: Robert Service's War Journalism and Poetry 4. The Blunt Swords of Georgianism: Frank Prewett's War Poetry 5. Battle Ground: Ross's Wartime Modernism and Neo-Romantic Cliché Conclusion
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