In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between mass media networks and modern warfare and that the unprecedented scope of the war generated a collectivity among readers and writers that altered the terms of poetic expression.
In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between mass media networks and modern warfare and that the unprecedented scope of the war generated a collectivity among readers and writers that altered the terms of poetic expression.
Eliza Richards is Associate Professor of English and Comparative Literature at the University of North Carolina, Chapel Hill and author of Gender and the Poetics of Reception in Poe's Circle.
Inhaltsangabe
Introduction. "How News Must Feel When Traveling" Chapter 1. "Strange Analogies": Weathering the War Chapter 2. The "Ghastly Harvest" Chapter 3. "To Signalize the Hour": Memorialization and the Massachusetts 54th Chapter 4. Poetry Under Siege: Charleston Harbor's Talking Guns Chapter 5. Poetry at Sea: Naval Ballads and the Battle of Mobile Bay Epilogue. Writing's Wars: Stephen Crane's Poetry and the Postbellum Turn to the Page Notes Bibliography Index Acknowledgments
Introduction. "How News Must Feel When Traveling" Chapter 1. "Strange Analogies": Weathering the War Chapter 2. The "Ghastly Harvest" Chapter 3. "To Signalize the Hour": Memorialization and the Massachusetts 54th Chapter 4. Poetry Under Siege: Charleston Harbor's Talking Guns Chapter 5. Poetry at Sea: Naval Ballads and the Battle of Mobile Bay Epilogue. Writing's Wars: Stephen Crane's Poetry and the Postbellum Turn to the Page Notes Bibliography Index Acknowledgments
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