Emilie Morin is Senior Lecturer in the Department of English and Related Literature at the University of York. She works on modern literature, theatre history and forms of political writing. She has published widely on the work of Samuel Beckett, including a monograph entitled Samuel Beckett and the Problem of Irishness (2009), and has co-edited Theatre and Ghosts: Materiality, Performance and Modernity (2014), and Theatre and Human Rights after 1945: Things Unspeakable (2015).
Inhaltsangabe
Introduction 1. False starts: the 'material of experience' and the writing of history 2. Another war entirely: internationalist politics and the labour of translation 3. Aftermaths: the 'siege in the room' and the politics of testimony 4. Turning points: torture, dissent and the Algerian War of Independence Conclusion.
Introduction 1. False starts: the 'material of experience' and the writing of history 2. Another war entirely: internationalist politics and the labour of translation 3. Aftermaths: the 'siege in the room' and the politics of testimony 4. Turning points: torture, dissent and the Algerian War of Independence Conclusion.
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