Diane Waller
Becoming a Profession (Psychology Revivals)
The History of Art Therapy in Britain 1940-82
Diane Waller
Becoming a Profession (Psychology Revivals)
The History of Art Therapy in Britain 1940-82
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Originally published in 1991 Becoming a Profession is the first comprehensive history of art therapists in Britain and of their struggle for professional recognition. Diane Waller discusses the work of the founding art therapists of the 1940s and 1950s and assesses their contribution in detail. She also puts art therapy in a political context, showing how the British Association for Art Therapists worked closely with the trade union movement in its campaigns to get professional recognition.
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Originally published in 1991 Becoming a Profession is the first comprehensive history of art therapists in Britain and of their struggle for professional recognition. Diane Waller discusses the work of the founding art therapists of the 1940s and 1950s and assesses their contribution in detail. She also puts art therapy in a political context, showing how the British Association for Art Therapists worked closely with the trade union movement in its campaigns to get professional recognition.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 290
- Erscheinungstermin: 1. November 2014
- Englisch
- Abmessung: 216mm x 140mm x 17mm
- Gewicht: 363g
- ISBN-13: 9780415844789
- ISBN-10: 0415844789
- Artikelnr.: 41612519
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 290
- Erscheinungstermin: 1. November 2014
- Englisch
- Abmessung: 216mm x 140mm x 17mm
- Gewicht: 363g
- ISBN-13: 9780415844789
- ISBN-10: 0415844789
- Artikelnr.: 41612519
Diane Waller
Roland Littlewood Foreword Acknowledgements Introduction Part I Background
to Art Therapy 1 Some views of art therapy 2 Art therapy's roots in art
education 3 Psychiatry and art Part II The Role of Individual Artists and
Psychotherapists in the Development of Art Therapy from the 1940s to the
Formation of BAAT Introduction 4 The context of the visual arts and health
care provision in the 1940s 5 Adrian Hill 6 Edward Adamson and Rita Simon:
moving from commercial art to art therapy 7 The Withymead Centre: the role
of Gilbert and Irene Champernowne in promoting the theory and practice of
art therapy 8 The influence of psychoanalysts on the intellectual
development of art therapy 9 Reflections on being a pioneer art therapist
Part III Beginning of Organised Activity: the First Working Parties in Art
Therapy Introduction 10 Art therapy in the witness box 11 A struggle for
ownership 12 Moves towards organised activity: the idea of forming a
professional association 13 The inaugural meeting of BAAT: aims and objects
established 14 Some of the main issues influencing BAAT's decision to
become a Central Association of the NUT 15 The campaign organised by BAAT
and the NUT to gain comparable status with adult education lecturers 16
Some problems and contradictions within the campaign for employment under
the LEAs 17 First moves towards the Health Service 18 Struggles for control
of art therapy in the context of a Whitley Council initiative Part IV The
Campaign to Establish Art Therapy in the NHS Introduction 19 BAAT and
ASTMS: joint negotiations for a place on the Whitley Council for art
therapists 20 The DHSS Consultative Document on art, music, drama, etc.,
therapy and the subsequent campaign by BAAT and ASTMS to change its
recommendations 21 The Clegg Commission Part V Training in Art Therapy
Introduction 22 Some contextual background and early views on training 23
Art therapy training within an educational framework 24 The BAAT
Registration and Training Sub-Committee and its contribution to the debate
on art therapy training during the 1970s 25 Attempts at training which
failed to materialise Part VI Concluding Thoughts 26 After 1982: fresh
challenges for art therapists Appendix: BAAT Registration Advisory
Committee: report and recommendations References Name index Subject index
to Art Therapy 1 Some views of art therapy 2 Art therapy's roots in art
education 3 Psychiatry and art Part II The Role of Individual Artists and
Psychotherapists in the Development of Art Therapy from the 1940s to the
Formation of BAAT Introduction 4 The context of the visual arts and health
care provision in the 1940s 5 Adrian Hill 6 Edward Adamson and Rita Simon:
moving from commercial art to art therapy 7 The Withymead Centre: the role
of Gilbert and Irene Champernowne in promoting the theory and practice of
art therapy 8 The influence of psychoanalysts on the intellectual
development of art therapy 9 Reflections on being a pioneer art therapist
Part III Beginning of Organised Activity: the First Working Parties in Art
Therapy Introduction 10 Art therapy in the witness box 11 A struggle for
ownership 12 Moves towards organised activity: the idea of forming a
professional association 13 The inaugural meeting of BAAT: aims and objects
established 14 Some of the main issues influencing BAAT's decision to
become a Central Association of the NUT 15 The campaign organised by BAAT
and the NUT to gain comparable status with adult education lecturers 16
Some problems and contradictions within the campaign for employment under
the LEAs 17 First moves towards the Health Service 18 Struggles for control
of art therapy in the context of a Whitley Council initiative Part IV The
Campaign to Establish Art Therapy in the NHS Introduction 19 BAAT and
ASTMS: joint negotiations for a place on the Whitley Council for art
therapists 20 The DHSS Consultative Document on art, music, drama, etc.,
therapy and the subsequent campaign by BAAT and ASTMS to change its
recommendations 21 The Clegg Commission Part V Training in Art Therapy
Introduction 22 Some contextual background and early views on training 23
Art therapy training within an educational framework 24 The BAAT
Registration and Training Sub-Committee and its contribution to the debate
on art therapy training during the 1970s 25 Attempts at training which
failed to materialise Part VI Concluding Thoughts 26 After 1982: fresh
challenges for art therapists Appendix: BAAT Registration Advisory
Committee: report and recommendations References Name index Subject index
Roland Littlewood Foreword Acknowledgements Introduction Part I Background
to Art Therapy 1 Some views of art therapy 2 Art therapy's roots in art
education 3 Psychiatry and art Part II The Role of Individual Artists and
Psychotherapists in the Development of Art Therapy from the 1940s to the
Formation of BAAT Introduction 4 The context of the visual arts and health
care provision in the 1940s 5 Adrian Hill 6 Edward Adamson and Rita Simon:
moving from commercial art to art therapy 7 The Withymead Centre: the role
of Gilbert and Irene Champernowne in promoting the theory and practice of
art therapy 8 The influence of psychoanalysts on the intellectual
development of art therapy 9 Reflections on being a pioneer art therapist
Part III Beginning of Organised Activity: the First Working Parties in Art
Therapy Introduction 10 Art therapy in the witness box 11 A struggle for
ownership 12 Moves towards organised activity: the idea of forming a
professional association 13 The inaugural meeting of BAAT: aims and objects
established 14 Some of the main issues influencing BAAT's decision to
become a Central Association of the NUT 15 The campaign organised by BAAT
and the NUT to gain comparable status with adult education lecturers 16
Some problems and contradictions within the campaign for employment under
the LEAs 17 First moves towards the Health Service 18 Struggles for control
of art therapy in the context of a Whitley Council initiative Part IV The
Campaign to Establish Art Therapy in the NHS Introduction 19 BAAT and
ASTMS: joint negotiations for a place on the Whitley Council for art
therapists 20 The DHSS Consultative Document on art, music, drama, etc.,
therapy and the subsequent campaign by BAAT and ASTMS to change its
recommendations 21 The Clegg Commission Part V Training in Art Therapy
Introduction 22 Some contextual background and early views on training 23
Art therapy training within an educational framework 24 The BAAT
Registration and Training Sub-Committee and its contribution to the debate
on art therapy training during the 1970s 25 Attempts at training which
failed to materialise Part VI Concluding Thoughts 26 After 1982: fresh
challenges for art therapists Appendix: BAAT Registration Advisory
Committee: report and recommendations References Name index Subject index
to Art Therapy 1 Some views of art therapy 2 Art therapy's roots in art
education 3 Psychiatry and art Part II The Role of Individual Artists and
Psychotherapists in the Development of Art Therapy from the 1940s to the
Formation of BAAT Introduction 4 The context of the visual arts and health
care provision in the 1940s 5 Adrian Hill 6 Edward Adamson and Rita Simon:
moving from commercial art to art therapy 7 The Withymead Centre: the role
of Gilbert and Irene Champernowne in promoting the theory and practice of
art therapy 8 The influence of psychoanalysts on the intellectual
development of art therapy 9 Reflections on being a pioneer art therapist
Part III Beginning of Organised Activity: the First Working Parties in Art
Therapy Introduction 10 Art therapy in the witness box 11 A struggle for
ownership 12 Moves towards organised activity: the idea of forming a
professional association 13 The inaugural meeting of BAAT: aims and objects
established 14 Some of the main issues influencing BAAT's decision to
become a Central Association of the NUT 15 The campaign organised by BAAT
and the NUT to gain comparable status with adult education lecturers 16
Some problems and contradictions within the campaign for employment under
the LEAs 17 First moves towards the Health Service 18 Struggles for control
of art therapy in the context of a Whitley Council initiative Part IV The
Campaign to Establish Art Therapy in the NHS Introduction 19 BAAT and
ASTMS: joint negotiations for a place on the Whitley Council for art
therapists 20 The DHSS Consultative Document on art, music, drama, etc.,
therapy and the subsequent campaign by BAAT and ASTMS to change its
recommendations 21 The Clegg Commission Part V Training in Art Therapy
Introduction 22 Some contextual background and early views on training 23
Art therapy training within an educational framework 24 The BAAT
Registration and Training Sub-Committee and its contribution to the debate
on art therapy training during the 1970s 25 Attempts at training which
failed to materialise Part VI Concluding Thoughts 26 After 1982: fresh
challenges for art therapists Appendix: BAAT Registration Advisory
Committee: report and recommendations References Name index Subject index