A theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany.
A theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michelle M. Wright is Associate Professor of English at the University of Minnesota. She is a coeditor of Domain Errors! Cyberfeminist Practices.
Inhaltsangabe
Acknowledgments > Introduction: Being and Becoming Black in the West 1 1. The European and American Invention of the Black Other > 2. The Trope of Masking in the Works of W. E. B. Du Bois, Leopold Sedar Senghor, and Aime Cesaire 66 3. Some Women Disappear: Frantz Fanon's Legacy in Black Nationalist Thought and the Black (Male) Subject > 4. How I Got Ovah: Masking to Motherhood and the Diasporic Black Female Subject 136 5. The Urban Diaspora: Black Subjectivities in Berlin, London, and Paris > Epilogue: If the Black Is a Subject, Can the Subaltern Speak? 229 Notes 233 Bibliography 261 Index 269
Acknowledgments > Introduction: Being and Becoming Black in the West 1 1. The European and American Invention of the Black Other > 2. The Trope of Masking in the Works of W. E. B. Du Bois, Leopold Sedar Senghor, and Aime Cesaire 66 3. Some Women Disappear: Frantz Fanon's Legacy in Black Nationalist Thought and the Black (Male) Subject > 4. How I Got Ovah: Masking to Motherhood and the Diasporic Black Female Subject 136 5. The Urban Diaspora: Black Subjectivities in Berlin, London, and Paris > Epilogue: If the Black Is a Subject, Can the Subaltern Speak? 229 Notes 233 Bibliography 261 Index 269
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