Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future.
Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gil Z. Hochberg is Ransford Professor of Hebrew and Visual Studies, Comparative Literature, and Middle East Studies at Columbia University and author of Visual Occupations: Violence and Visibility in a Conflict Zone, also published by Duke University Press, and In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination.
Inhaltsangabe
Preface vii Acknowledgments xiii Introduction. Archival Imagination of/for the Future 1 1. Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine 37 2. Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial Visual Archive 53 3. "Suspended between Past and Future": Larissa Sansour's Sci-Fi Archaeological Archive in the Past-Future Tense 72 4. "Face to Face with the Ancestors of Civilization": Ruanna Abou-Rahme and Basel Abbas's Archive of the Copy 87 5. Gesturing toward Resistance: Farah Saleh's Archive of Gestures 107 Afterword 128 Notes 135 Bibliography 171 Index 189
Preface vii Acknowledgments xiii Introduction. Archival Imagination of/for the Future 1 1. Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine 37 2. Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial Visual Archive 53 3. "Suspended between Past and Future": Larissa Sansour's Sci-Fi Archaeological Archive in the Past-Future Tense 72 4. "Face to Face with the Ancestors of Civilization": Ruanna Abou-Rahme and Basel Abbas's Archive of the Copy 87 5. Gesturing toward Resistance: Farah Saleh's Archive of Gestures 107 Afterword 128 Notes 135 Bibliography 171 Index 189
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