This book explores twelve themes that reflect Beethoven's compositional development and thought. The result is a fascinating new portrait of the composer and his music, and a panorama of the world of thought, norms, and values that he navigated.
This book explores twelve themes that reflect Beethoven's compositional development and thought. The result is a fascinating new portrait of the composer and his music, and a panorama of the world of thought, norms, and values that he navigated.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hans-Joachim Hinrichsen is professor emeritus for musicology at the University of Zurich. Cynthia Klohr studied philosophy and literature in Detroit, Karlsruhe, and Heidelberg, and after earning her degrees, taught university courses in modern philosophy in both English and German.
Inhaltsangabe
Preface: Revisiting Beethoven Acknowledgments List of Abbreviations Introduction: Kantian Times and the Authonomy of Music Chapter 1: A Young Man's New Way with Music Chapter 2: Music, Philosopy, and Aesthetics Chapter 3: The Epitome of Instrumental Music: Musical Thought Chapter 4: Beethoven's Last Style: Laughter, Pain, and Greatness Epilogue: Are We Done with Beethoven? Bibliography
Preface: Revisiting Beethoven Acknowledgments List of Abbreviations Introduction: Kantian Times and the Authonomy of Music Chapter 1: A Young Man's New Way with Music Chapter 2: Music, Philosopy, and Aesthetics Chapter 3: The Epitome of Instrumental Music: Musical Thought Chapter 4: Beethoven's Last Style: Laughter, Pain, and Greatness Epilogue: Are We Done with Beethoven? Bibliography
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