The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters.
The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters.
Jordan Bear is Assistant Professor of Art History at the University of Toronto, Canada. Kate Palmer Albers is Assistant Professor in the Art History Division at the University of Arizona, USA.
Inhaltsangabe
1. Photography's Time Zones Kate Palmer Albers University of Arizona USA and Jordan Bear University of Toronto Canada Part I. Medical Restorations and Enhancements 2. Before and After: The Aesthetic as Evidence in 19th Century Medical Photography Susan Sidlauskas Rutgers State University of New Jersey USA 3. Imaging the Criminal Body: 'Faces of Meth' and Galton's Composite Photographs Kristen M. Thomas-McGill Part II. Landscape and the Built Environment 4. Noise Abatement Zone: John Divola's Photographic Fulcrum Jason E. Hill University of Delaware USA 5. The Elusive Event: An Interview between Frank Gohlke and Rebecca Senf Rebecca Senf Center for Creative Photography University of Arizona USA Part III. Manmade and Natural Disasters 6. Beyond Images of Melting Ice: Hidden Stories of People Place and Time in Repeat Photography ofGlaciersRodney Garrard University of Bern Switzerland and Mark Carey Robert D. Clark Honors College University of Oregon USA 7. Natural Cycles: Naoya Hatakeyama's Photographs of the 2011 Tohoku Tsunami Lisa Sutcliffe Milwaukee Art Museum USA Part IV. Social "Improvements": Assimilation and Reform 8. Staging Emancipation: Race and Reconstruction in American Photographic Humor Tanya Sheehan Colby College USA p. Facing the Binary: Native American Students in the Camera's Lens Jacqueline Fear-Segal University of East Anglia UK Part V. From Two to Three: Before-and-After Time Complicated 10. Beyond 'This-Caused-That': The Temporal Complexities of Before-and-After Photographs Kris Belden-Adams University of Mississippi USA AfterwordJames Elkins School of the Art Institute of Chicago USA
1. Photography's Time Zones Kate Palmer Albers University of Arizona USA and Jordan Bear University of Toronto Canada Part I. Medical Restorations and Enhancements 2. Before and After: The Aesthetic as Evidence in 19th Century Medical Photography Susan Sidlauskas Rutgers State University of New Jersey USA 3. Imaging the Criminal Body: 'Faces of Meth' and Galton's Composite Photographs Kristen M. Thomas-McGill Part II. Landscape and the Built Environment 4. Noise Abatement Zone: John Divola's Photographic Fulcrum Jason E. Hill University of Delaware USA 5. The Elusive Event: An Interview between Frank Gohlke and Rebecca Senf Rebecca Senf Center for Creative Photography University of Arizona USA Part III. Manmade and Natural Disasters 6. Beyond Images of Melting Ice: Hidden Stories of People Place and Time in Repeat Photography ofGlaciersRodney Garrard University of Bern Switzerland and Mark Carey Robert D. Clark Honors College University of Oregon USA 7. Natural Cycles: Naoya Hatakeyama's Photographs of the 2011 Tohoku Tsunami Lisa Sutcliffe Milwaukee Art Museum USA Part IV. Social "Improvements": Assimilation and Reform 8. Staging Emancipation: Race and Reconstruction in American Photographic Humor Tanya Sheehan Colby College USA p. Facing the Binary: Native American Students in the Camera's Lens Jacqueline Fear-Segal University of East Anglia UK Part V. From Two to Three: Before-and-After Time Complicated 10. Beyond 'This-Caused-That': The Temporal Complexities of Before-and-After Photographs Kris Belden-Adams University of Mississippi USA AfterwordJames Elkins School of the Art Institute of Chicago USA
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