The Rolling Stones' Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the 'mature' sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades.
The Rolling Stones' Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the 'mature' sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Russell Reising is Professor of American Culture and Asian Studies, University of Toledo, Ohio
Inhaltsangabe
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle" Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band? John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones Part II: "What's puzzling you is the nature of my game": some ideas Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic Part III: Some songs Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil' Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'" Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man' Part IV: The Rolling Stones, live if you want it Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969 Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle" Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band? John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones Part II: "What's puzzling you is the nature of my game": some ideas Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic Part III: Some songs Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil' Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'" Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man' Part IV: The Rolling Stones, live if you want it Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969 Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
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