Behind the Curtain examines the musicians who were composers, arrangers, assistants and studio performers in the Bollywood studios from the 1930s until the present. It offers a musical, technological, industrial, and social history of India's hegemonic popular music industry from the perspectives of the musicians and others who experienced it. It is one of the few oral histories in ethnomusicology, and offers the first ground level view of this globallyimportant music industry.
Behind the Curtain examines the musicians who were composers, arrangers, assistants and studio performers in the Bollywood studios from the 1930s until the present. It offers a musical, technological, industrial, and social history of India's hegemonic popular music industry from the perspectives of the musicians and others who experienced it. It is one of the few oral histories in ethnomusicology, and offers the first ground level view of this globallyimportant music industry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
After early training in western classical music, Gregory D. Booth began the study of North Indian tabla drumming with Ustad Zakir Hussain in 1977. He has published widely on South Asian classical music pedagogy, processional music, and Hindi film music. He is currently an Associate Professor in the Department of Anthropology at the University of Auckland.
Inhaltsangabe
* Introduction - Who is Anthony Gonsalves? * Part One - History Technology and a Determinist Milieu for Hindi Film Song * 1: Popular Music as Film Music * Musicians and Technology in the Mumbai Film Music Industry * 3: Changing Structures in the Mumbai Film Industry * Part Two - The Life of Music in the Mumbai Film Industry * 4: Origins Training and "Joining the Line" * 5: Roles Relations and the Creative Process * 6: Rehearsals Recordings and Economics * Part Three - Music Instruments and Meaning from Musicians' Perspectives * 7: Orchestras and Orchestral Procedures Instrumental Change Arranging and Programming * 8: Issues of Style Genre and Value in Mumbai Film Music * Conclusion - Oral History Change and Accounts of Human Agency
* Introduction - Who is Anthony Gonsalves? * Part One - History Technology and a Determinist Milieu for Hindi Film Song * 1: Popular Music as Film Music * Musicians and Technology in the Mumbai Film Music Industry * 3: Changing Structures in the Mumbai Film Industry * Part Two - The Life of Music in the Mumbai Film Industry * 4: Origins Training and "Joining the Line" * 5: Roles Relations and the Creative Process * 6: Rehearsals Recordings and Economics * Part Three - Music Instruments and Meaning from Musicians' Perspectives * 7: Orchestras and Orchestral Procedures Instrumental Change Arranging and Programming * 8: Issues of Style Genre and Value in Mumbai Film Music * Conclusion - Oral History Change and Accounts of Human Agency
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