Tim Ingold

Being Alive

Essays on Movement, Knowledge and Description

• Broschiertes Buch

Produktbeschreibung

Anthropology is a disciplined inquiry into the conditions and potentials of human life. Generations of theorists, however, have expunged life from their accounts, treating it as the mere output of patterns, codes, structures or systems variously defined as genetic or cultural, natural or social. Building on his classic work The Perception of the Environment, Tim Ingold sets out to restore life to where it should belong, at the heart of anthropological concern.

Being Alive ranges over such themes as the vitality of materials; what it means to make things; the perception and formation of the ground; the mingling of earth and sky in the weather-world; the experiences of light, sound and feeling; the role of storytelling in the integration of knowledge; and the potential of drawing to unite observation and description.

Our humanity, Ingold argues, does not come ready-made but is continually fashioned in our movements along ways of life. Starting from the idea of life as a process of wayfaring, Ingold presents a radically new understanding of movement, knowledge and description as dimensions not just of being in the world, but of being alive to what is going on there.

This edition includes a new preface by the author.

Produktdetails

• Verlag: Routledge / Taylor & Francis
• Seitenzahl: 360
• Erscheinungstermin: 30. November 2021
• Englisch
• Abmessung: 234mm x 156mm x 19mm
• Gewicht: 546g
• ISBN-13: 9781032052311
• ISBN-10: 1032052317
• Artikelnr.: 62634353

Autorenporträt

Tim Ingold is Professor Emeritus of Social Anthropology at the University of Aberdeen. He has carried out fieldwork among Saami and Finnish people in Lapland, and has written on environment, technology and social organisation in the circumpolar North, on animals in human society and on human ecology and evolutionary theory. His more recent work explores environmental perception and skilled practice. Ingold's current interests lie on the interface between anthropology, archaeology, art and architecture. His recent books include The Perception of the Environment (2000), Lines (2007), Being Alive (2011), Making (2013), The Life of Lines (2015), Anthropology and/as Education (2018), Anthropology: Why It Matters (2018), Correspondences (2020), Imagining for Real (2022) and The Rise and Fall of Generation Now (2024). Ingold is a Fellow of the British Academy and the Royal Society of Edinburgh. In 2022 he was made a CBE for services to Anthropology.

Inhaltsangabe

Prologue: Anthropology comes to Life Part I: Clearing the Ground 2. Materials against Materiality 3. Culture on the Ground: The World Perceived Through the Feet 4. Walking the Plank: Meditations on a Process of Skill Part II: The Meshwork 5. Rethinking the animate, Reanimating Thought 6. Point, Line, Counterpoint: From Environment to Fluid Space 7. When ANT meets SPIDER: Social Theory for Arthropods Part III: Earth and Sky 8. The Shape of the Earth 9. Earth, Sky, Wind and Weather 10. Landscape or Weather-world? 11. Four Objections to the Concept of Soundscape Part IV: A Storied World 12. Against Space, Place, Movement, Knowledge 13. Stories Against Classification: Transport, Wayfaring and the Integration of Knowledge 14. Naming as Storytelling: speaking of animals among the Koyukon of Alaska Part V: Drawing Making Writing 15. Seven Variations on the Letter A 16. Ways of Mind-Walking: reading, writing, painting 17. The Textility of Making 18. Drawing Together: Doing, Observing, Describing Epilogue: Anthropology is not ethnography

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Prologue: Anthropology comes to Life Part I: Clearing the Ground 2.
Materials against Materiality 3. Culture on the Ground: The World Perceived
Through the Feet 4. Walking the Plank: Meditations on a Process of Skill
Part II: The Meshwork 5. Rethinking the animate, Reanimating Thought 6.
Point, Line, Counterpoint: From Environment to Fluid Space 7. When ANT
meets SPIDER: Social Theory for Arthropods Part III: Earth and Sky 8. The
Shape of the Earth 9. Earth, Sky, Wind and Weather 10. Landscape or
Weather-world? 11. Four Objections to the Concept of Soundscape Part IV: A
Storied World 12. Against Space, Place, Movement, Knowledge 13. Stories
Against Classification: Transport, Wayfaring and the Integration of
Knowledge 14. Naming as Storytelling: speaking of animals among the Koyukon
of Alaska Part V: Drawing Making Writing 15. Seven Variations on the Letter
A 16. Ways of Mind-Walking: reading, writing, painting 17. The Textility of
Making 18. Drawing Together: Doing, Observing, Describing Epilogue:
Anthropology is not ethnography

Rezensionen

'For three decades, Tim Ingold has been one of the most consistently exploratory and provocative voices in contemporary scholarship. This book leads us, in prose that is exactingly lucid and charged with poetic eloquence, on a journey through, amongst other things, Chinese calligraphy, line drawing, carpentry, kite flying, Australian Aboriginal painting, native Alaskan storytelling, web-spinning arachnids, the art of walking and, not least, the history of anthropology, none of which will ever look quite the same again! The work is at once a meditation on questions central to anthropology, art practice, human ecology and philosophy, a passionate rebuttal of reductionisms of all kinds, a celebration of creativity understood in the broadest possible sense and a humane and generous manual for living in a world of becoming.'

Stuart McLean, University of Minnesota, USA

"Simultaneously intimate and all-encompassing, Tim Ingold's second landmark collection of essays explains how it feels to craft an existence between earth and sky, among plants and animals, across childhood and old age. A master of the form, Ingold shows how aliveness is the essential resource for an affirmative philosophy of life."

Hayden Lorimer, University of Glasgow, UK

"In these iconoclastic essays, Ingold breaks the dichotomies of likeness and difference to show that anthropology's subject, and with it that of the human sciences more generally, is not constituted by polarities like that of space contra place, but by a movement along paths that compose a being that is as alive to the sentient world as this world is to its human inhabitants."

Kenneth Olwig, Swedish University of Agricultural Sciences