Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the…mehr
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways. Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in allHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Margot Singer is a Professor of English at Denison University in Granville, Ohio, USA, where she directs the creative writing program. She is the author of a novel, Underground Fugue (2017), winner of the Edward Lewis Wallant Award and short-listed for the Sami Rohr Prize for Jewish Literature, and a collection of linked stories, The Pale of Settlement (2007), winner of the Flannery O'Connor Award for Short Fiction. Her essays have appeared in the Normal School, Ninth Letter, Conjunctions, the Sun, River Teeth, and elsewhere, have been recognized as Notable in Best American Essays, and with a fellowship from the National Endowment for the Arts. Nicole Walker is the author of Processed Meats: Essays on Food, Flesh and Navigating Disaster (2021), Sustainability: A Love Story (2018), and the collaborative collection The After-Normal: Brief, Alphabetical Essays on a Changing Planet (2019), as well as the nonfiction collections Where the Tiny Things Are (2017), Egg (2017), Micrograms (2016), Quench Your Thirst with Salt (2013), and a book of poems, This Noisy Egg (2010). The co-president of NonfictioNOW, she teaches at Northern Arizona University in Flagstaff, AZ, USA and serves as the Crux Series Editor for University of Georgia Press.
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Introduction to the Second Edition I. Hybrids 1. Why Some Hybrids Work and Others Don't, Lia Purpura 2. Queering the Essay, David Lazar 3. The Everbent Genre, Patrick Madden 4. Don't Let Those Damn Genres Cross You Ever Again!, Lawrence Sutin 5. Genre-Queer: Notes Against Generic Binaries, Kazim Ali 6. On the EEO Genre Sheet, Jenny Boully 7. Reading Samuel R. Delany, T Clutch Fleischmann 8. Beautiful Muddied Waters: On Genre and Veracity, Sean Prentiss 9. Listening for the Sound, Sejal Shah 10. Split Tone, Lee Martin 11. Lyrebirds in the Impasse, David Carlin 12. Headiness, Karen Brennan 13. What's in Your Purse?: Essays Through the Eyes of a Character Actor, Elaine Passarello 14. Propositions; Provocations: Inventions, Mary Capello II. Structures 15. On Scaffolding, Hermit Crabs, and the Real False Document, Margot Singer 16. Text Adventure, Ander Monson 17. Adventures in the Reference Section, Kevin Haworth 18. Meeting the Ancestor on the Road, Tina Makereti 19. Autogeographies, Barrie Jean Borich 20. Dissolving Genre: Writ with Water, Ingrid Horrocks 21. "Lions and Tigers and Bears, Oh My!": Courage and Creative Nonfiction, Brenda Miller 22. Traumatized Time, David McGlynn 23. Escapology, Justin Hocking 24. Play-Doh Fun Factory Poetics, Wayne Koestenbaum 25. A Sequence of Thoughts Without Any Kind of Order, Ira Sukrungruang 26. My Mistake, Nicole Walker III. Unconventions 27. On Convention, Margot Singer 28. Losing Language, Camille Dungy 29. What the Bottles Know, Lina Ferreira Cabeza-Vanegas 30. 44 Tattoos, David Shields 31. Creative Exposition-Anther Way that Nonfiction Writing Can Be Good, Dave Madden 32. This Photograph is Evidence of You, Lawrence Lacambra Ypil 33. Ostrakons at Amphipolis, Postcards from Chicago: Thucydides and the Invention and Deployment of Lyric History, Michael Martone 34. On Fragmentation, Steve Fellner 35. Single Mindedness and Whole Heartedness in the Essay Writing Workshop: An Essay in Many Parts, Jenn Ashworth 36. Positively Negative, Dinty W. Moore 37. Study Questions for the Essay at Hand: A Speculative Essay, Robin Hemley 38. A Brief History of Disquiet, Deficit & Disbelief by FeiMan, Xu Xi 39. The Inclusivity of Metaphor, Nicole Walker IV. Resistances 40. The Funk of Defiance, the Freedom of Refusal, Catina Bacote 41. The Essay as Resistance, Aviya Kushner 42. Prepositioning Resistance, Queerly Francesca Rendle-Short 43. Exposition as Resistance: Tell Me the Moon Is Shining, Matthew Batt 44. The Lyric Essay as a Mode of Resistance, LaTanya McQueen 45. It Is What It Is, Eula Biss 46. How It Is: Writing Towards Wonder, Jessica Hendry Nelson 47. On Not Being Able to Write It, Wendy Rawlings 48. Hermes Goes to College, Michael Martone 49. The Convex View, Karen Lloyd 50. The Moral Map, Stephanie Elizondo Griest
Introduction to the Second Edition I. Hybrids 1. Why Some Hybrids Work and Others Don't, Lia Purpura 2. Queering the Essay, David Lazar 3. The Everbent Genre, Patrick Madden 4. Don't Let Those Damn Genres Cross You Ever Again!, Lawrence Sutin 5. Genre-Queer: Notes Against Generic Binaries, Kazim Ali 6. On the EEO Genre Sheet, Jenny Boully 7. Reading Samuel R. Delany, T Clutch Fleischmann 8. Beautiful Muddied Waters: On Genre and Veracity, Sean Prentiss 9. Listening for the Sound, Sejal Shah 10. Split Tone, Lee Martin 11. Lyrebirds in the Impasse, David Carlin 12. Headiness, Karen Brennan 13. What's in Your Purse?: Essays Through the Eyes of a Character Actor, Elaine Passarello 14. Propositions; Provocations: Inventions, Mary Capello II. Structures 15. On Scaffolding, Hermit Crabs, and the Real False Document, Margot Singer 16. Text Adventure, Ander Monson 17. Adventures in the Reference Section, Kevin Haworth 18. Meeting the Ancestor on the Road, Tina Makereti 19. Autogeographies, Barrie Jean Borich 20. Dissolving Genre: Writ with Water, Ingrid Horrocks 21. "Lions and Tigers and Bears, Oh My!": Courage and Creative Nonfiction, Brenda Miller 22. Traumatized Time, David McGlynn 23. Escapology, Justin Hocking 24. Play-Doh Fun Factory Poetics, Wayne Koestenbaum 25. A Sequence of Thoughts Without Any Kind of Order, Ira Sukrungruang 26. My Mistake, Nicole Walker III. Unconventions 27. On Convention, Margot Singer 28. Losing Language, Camille Dungy 29. What the Bottles Know, Lina Ferreira Cabeza-Vanegas 30. 44 Tattoos, David Shields 31. Creative Exposition-Anther Way that Nonfiction Writing Can Be Good, Dave Madden 32. This Photograph is Evidence of You, Lawrence Lacambra Ypil 33. Ostrakons at Amphipolis, Postcards from Chicago: Thucydides and the Invention and Deployment of Lyric History, Michael Martone 34. On Fragmentation, Steve Fellner 35. Single Mindedness and Whole Heartedness in the Essay Writing Workshop: An Essay in Many Parts, Jenn Ashworth 36. Positively Negative, Dinty W. Moore 37. Study Questions for the Essay at Hand: A Speculative Essay, Robin Hemley 38. A Brief History of Disquiet, Deficit & Disbelief by FeiMan, Xu Xi 39. The Inclusivity of Metaphor, Nicole Walker IV. Resistances 40. The Funk of Defiance, the Freedom of Refusal, Catina Bacote 41. The Essay as Resistance, Aviya Kushner 42. Prepositioning Resistance, Queerly Francesca Rendle-Short 43. Exposition as Resistance: Tell Me the Moon Is Shining, Matthew Batt 44. The Lyric Essay as a Mode of Resistance, LaTanya McQueen 45. It Is What It Is, Eula Biss 46. How It Is: Writing Towards Wonder, Jessica Hendry Nelson 47. On Not Being Able to Write It, Wendy Rawlings 48. Hermes Goes to College, Michael Martone 49. The Convex View, Karen Lloyd 50. The Moral Map, Stephanie Elizondo Griest
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