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Simon Perril's new collection is the twin to his Archilochus on the Moon, and continues his exploration of the tangled roots of ancient Greek lyric. A nekyia is an underworld story preserving a rite from classical antiquity wherein the living call up the dead, and are questioned about the future. Neobulé was the bride-to-be of the first lyric poet, Archilochus-until her father inexplicably called it off and incurred the most infamous poetic wrath in literary history. The soldier-poet's scurrilous response shamed the entire family into committing suicide. "Beneath" tracks Neobulé's arrival in…mehr

Produktbeschreibung
Simon Perril's new collection is the twin to his Archilochus on the Moon, and continues his exploration of the tangled roots of ancient Greek lyric. A nekyia is an underworld story preserving a rite from classical antiquity wherein the living call up the dead, and are questioned about the future. Neobulé was the bride-to-be of the first lyric poet, Archilochus-until her father inexplicably called it off and incurred the most infamous poetic wrath in literary history. The soldier-poet's scurrilous response shamed the entire family into committing suicide. "Beneath" tracks Neobulé's arrival in Hades; and voices her gradual understanding of shadehood. She may be "a chorus of gasps / no lyre can pluck", but can still recall being "more shade above / in the mud-brick groves / of kitchens".
Autorenporträt
Simon Perril's poetry publications include Beneath (Shearsman 2015), Archilochus on the Moon (Shearsman 2013), Newton's Splinter (Open House 2012), Nitrate (Salt 2010), A Clutch of Odes (Oystercatcher 2009), and Hearing is Itself Suddenly a Kind of Singing (Salt 2004). As a critic he has written widely on contemporary poetry, including editing the books The Salt Companion to John James, and Tending the Vortex: The Works of Brian Catling. He likes noisy music, and silent film. And cats. He is Reader in Contemporary Poetic Practice at De Montfort University, Leicester.