Bennewitz, Goethe, Faust makes a cogent argument for this director's place alongside the twentieth century's greatest theatre innovators.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David G. John is a Distinguished Professor Emeritus of German at the University of Waterloo as well as the founding director of the Waterloo Centre for German Studies.
Inhaltsangabe
Abbreviations Foreword Documentation Part I Bennewitz 1. Persona and Theory * Slim Recognition * Biography * Split Personality * Politics * Dogma and Theory 2. Peers * Erika Stephan * Dieter Görne * Wolfgang Engel Part II The German Fausts: Chronicle of a Society 3. Hooray for Socialism! Weimar 1965/67 * Background * Audience Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 4. Hooray for Socialism? Weimar 1975 * Background * Audience Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 5. Socialism? Weimar 1981/82 * Background * Audience and Cast Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 6. Alles für die Katz': Meiningen 1995 * Background * The Performance * Critical Reception * Conclusion Part III The Intercultural Fausts 7. The First Black Gretchen: New York 1978 * Background * The Performance * Performance Consciousness * Critical Reception * Conclusion 8. The Hindu Faust: Bombay 1994 * Background * The Performance * Critical Reception * Aftermath * Conclusion 9. The Christian Faust: Manila 1994 * Background * The Performance * Critical Reception * Aftermath * Conclusion 10. From Loyalist to Intercultural Pioneer Part IV Documentation Bibliography Appendices * Highlight Biography * Travels * Plays directed * Holdings of the Fritz Bennewitz Archive in Leipzig: A Treasure Trove for Researchers Index
Abbreviations Foreword Documentation Part I Bennewitz 1. Persona and Theory * Slim Recognition * Biography * Split Personality * Politics * Dogma and Theory 2. Peers * Erika Stephan * Dieter Görne * Wolfgang Engel Part II The German Fausts: Chronicle of a Society 3. Hooray for Socialism! Weimar 1965/67 * Background * Audience Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 4. Hooray for Socialism? Weimar 1975 * Background * Audience Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 5. Socialism? Weimar 1981/82 * Background * Audience and Cast Preparation * The Performance * Essential Features * Critical Reception * The Party Line * Conclusion 6. Alles für die Katz': Meiningen 1995 * Background * The Performance * Critical Reception * Conclusion Part III The Intercultural Fausts 7. The First Black Gretchen: New York 1978 * Background * The Performance * Performance Consciousness * Critical Reception * Conclusion 8. The Hindu Faust: Bombay 1994 * Background * The Performance * Critical Reception * Aftermath * Conclusion 9. The Christian Faust: Manila 1994 * Background * The Performance * Critical Reception * Aftermath * Conclusion 10. From Loyalist to Intercultural Pioneer Part IV Documentation Bibliography Appendices * Highlight Biography * Travels * Plays directed * Holdings of the Fritz Bennewitz Archive in Leipzig: A Treasure Trove for Researchers Index
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