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Definitive collection from the creator and publication that inspired the underground comix movement. Hall of Fame comics creator Wallace Wood's revolutionary, self-published Witzend (often spelled in all lower case) has always been hard to define-the birth of the pro-zine, underground, independent... Whatever you call it, Wood's witzend was a mid-'60s milestone event that represented all of the loftiest Fine Art goals of the Underground Movement including art-for-art's-sake, freedom from censorship, and creator rights. The vast majority of the underground comix movement creators were directly…mehr

Produktbeschreibung
Definitive collection from the creator and publication that inspired the underground comix movement. Hall of Fame comics creator Wallace Wood's revolutionary, self-published Witzend (often spelled in all lower case) has always been hard to define-the birth of the pro-zine, underground, independent... Whatever you call it, Wood's witzend was a mid-'60s milestone event that represented all of the loftiest Fine Art goals of the Underground Movement including art-for-art's-sake, freedom from censorship, and creator rights. The vast majority of the underground comix movement creators were directly inspired by the EC Comics and Mad work of Wallace Wood and Harvey Kurtzman (as well as psychedelics). Until R. Crumb's later and eminently notable Zap Comix, no underground had the impact of witzend which combined top-flight comics pros like Wood, Frazetta, Steranko and Ditko side-by-side with up-and-coming Undergrounders like Art Spiegelman (Maus) and Vaughn Bode (Cheech Wizard)For the first time ever, this single volume collects all of Wood's own contributions to his groundbreaking publication including Animan, Sally Forth, The Rejects, Bucky Ruckus, Pipsqueek Papers, The Wizard King, Snorky, Lunar Tunes, and more. 
Autorenporträt
Wallace ("Wally") Wood is one of the most celebrated cartoonist-illustrators of all time. Wood's creative efforts on such properties as Daredevil, Weird Science, T.H.U.N.D.E.R. Agents, MAD, Witzend, Mars Attacks, Power Girl, etc., have earned him great acclaim both during his lifetime and posthumously. For his science fiction work, Wood received various Hugo Award Nominations including: 1959 Best Professional Artist; 1960 Best Professional Artist; and 1997 for Best Dramatic Presentation: Mars Attacks! Other awards include: National Cartoonists Society for best Comic Book Artist, 1957 (MAD), 1959 (MAD), and 1965 (T.H.U.N.D.E.R. Agents); Alley Award, Best Pencil Artist, 1965; Alley Award, Best Inking Work, 1966; Best Foreign Cartoonist Award, Angoulême International Comics Festival, 1978; The Jack Kirby Hall of Fame, 1989; The Will Eisner Award Hall of Fame, 1992; and The Inkwell Awards' Hall of Fame Award, 2011.