Between Dream and Nightmare - Vaizey, Marina
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London has beenhavng symbolically enough in 2014 a sustained examination of not only art historically northern Europe in general with the National Gallery having looked at the northern renaissance but perhaps far more pertinently contemporary German art of the post war period, enhanced by an original examination of German history at the British Museum. The medium of painting is the prism, with significant showings of Anselm Kiefer, a West German b 1945, and Gerhard Richter b 1932, and Sigmar Polke, 1941-2010, both originally East Germans, who once showed together, and with others invented in…mehr

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Produktbeschreibung
London has beenhavng symbolically enough in 2014 a sustained examination of not only art historically northern Europe in general with the National Gallery having looked at the northern renaissance but perhaps far more pertinently contemporary German art of the post war period, enhanced by an original examination of German history at the British Museum. The medium of painting is the prism, with significant showings of Anselm Kiefer, a West German b 1945, and Gerhard Richter b 1932, and Sigmar Polke, 1941-2010, both originally East Germans, who once showed together, and with others invented in the 1960s a brief anarchic movement called capitalist realism. They both studied too at the legendary Dusseldorf Kunstakademie. All of these three titans, their work now in the commercial stratosphere, have engaged profoundly with Germany's past, but Janus like in order to look forward also to a future. Marina Vaizey The Author Marina Vaizey was art critic for the Financial Times for five years and the Sunday Times for eighteen. A historian, lecturer, traveller and collector she has written several books on art and photography. She has served as a Trustee for several national galleries including the Victoria and Albert Museum.
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Autorenporträt
Marina Vaizey read history at Harvard and Cambridge and has been has been an art critic for over fifty years for among other publications four years for The Financial Times,eighteen years for The Sunday Times and is a regular contributor to theartsdesk.com and the Burlington. She was a member of the Arts Council, the Crafts Council, specialist committees for the Council for National Academic Awards, a trustee of SouthBankCentre, the Imperial War Museum, National Museums Liverpool, the National Army Museum, and the Geffrye Museum, and on the boards of Camberwell College of Art and Corsham Academy. . She has curated several exhibitions - fine arts, photography and applied arts and her books include The Artist as Photographer, Great Women Collectors and Art: The Critics Choice. She edited the Art Quarterly and The Review for TheArtFund. Marina has lectured world wide and led more than 50 trips abroad to galleries and museums. She chaired the Friends of the Victoria and Albert, and is currently a trustee of The Musical Brain, and Contemporary Applied Arts.