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Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
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Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 264
- Erscheinungstermin: 15. Februar 2002
- Englisch
- Abmessung: 236mm x 160mm x 22mm
- Gewicht: 594g
- ISBN-13: 9780815334507
- ISBN-10: 0815334508
- Artikelnr.: 21931365
- Verlag: Taylor & Francis
- Seitenzahl: 264
- Erscheinungstermin: 15. Februar 2002
- Englisch
- Abmessung: 236mm x 160mm x 22mm
- Gewicht: 594g
- ISBN-13: 9780815334507
- ISBN-10: 0815334508
- Artikelnr.: 21931365
Rose Theresa teaches at the University at Stony brook. Jeongwon Joe teaches at the University of Nevada at Reno.
Series Foreword
Martha Feldman Introduction
Rose Theresa and Jeongwon Joe 1. From Mphisophls to JeongwonSpectacle and Narrative in Opera and Early Film
Rose Theresa 2. There Ain's No Sanity Claus! The Marx Joethers at the Opera
Michal Grover Friedlander 3. The Tales of Hoffmann : An Instance of the Operatic
Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete
Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit
Feeling and Knowing
Shawshank Redemption and Prizzi's Honor
Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism
David J. Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro
Marcia J. Citron 9. Verdi in Post-war Italian Cinema
Deborah Crisp and Roger Hillman 10. Chinese Opera
Global Cinema
and the Ontology of the Person: Chen Kaige's Farewell My Concubine
Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit
Mary M. Wiles Afterword
Stanley Cavell Contributor's Notes Index
Martha Feldman Introduction
Rose Theresa and Jeongwon Joe 1. From Mphisophls to JeongwonSpectacle and Narrative in Opera and Early Film
Rose Theresa 2. There Ain's No Sanity Claus! The Marx Joethers at the Opera
Michal Grover Friedlander 3. The Tales of Hoffmann : An Instance of the Operatic
Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete
Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit
Feeling and Knowing
Shawshank Redemption and Prizzi's Honor
Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism
David J. Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro
Marcia J. Citron 9. Verdi in Post-war Italian Cinema
Deborah Crisp and Roger Hillman 10. Chinese Opera
Global Cinema
and the Ontology of the Person: Chen Kaige's Farewell My Concubine
Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit
Mary M. Wiles Afterword
Stanley Cavell Contributor's Notes Index
Series Foreword
Martha Feldman Introduction
Rose Theresa and Jeongwon Joe 1. From Mphisophls to JeongwonSpectacle and Narrative in Opera and Early Film
Rose Theresa 2. There Ain's No Sanity Claus! The Marx Joethers at the Opera
Michal Grover Friedlander 3. The Tales of Hoffmann : An Instance of the Operatic
Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete
Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit
Feeling and Knowing
Shawshank Redemption and Prizzi's Honor
Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism
David J. Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro
Marcia J. Citron 9. Verdi in Post-war Italian Cinema
Deborah Crisp and Roger Hillman 10. Chinese Opera
Global Cinema
and the Ontology of the Person: Chen Kaige's Farewell My Concubine
Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit
Mary M. Wiles Afterword
Stanley Cavell Contributor's Notes Index
Martha Feldman Introduction
Rose Theresa and Jeongwon Joe 1. From Mphisophls to JeongwonSpectacle and Narrative in Opera and Early Film
Rose Theresa 2. There Ain's No Sanity Claus! The Marx Joethers at the Opera
Michal Grover Friedlander 3. The Tales of Hoffmann : An Instance of the Operatic
Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete
Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit
Feeling and Knowing
Shawshank Redemption and Prizzi's Honor
Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism
David J. Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro
Marcia J. Citron 9. Verdi in Post-war Italian Cinema
Deborah Crisp and Roger Hillman 10. Chinese Opera
Global Cinema
and the Ontology of the Person: Chen Kaige's Farewell My Concubine
Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit
Mary M. Wiles Afterword
Stanley Cavell Contributor's Notes Index