Between Shanghai and Hong Kong - Fu, Poshek
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Based on meticulous archival research and a repetorary of rare films, most of which were believed lost, this book is a pioneering critical study of the Chinese cinemas in Hong Kong and Shanghai and their complex interconnections. The years 1935-50 were a period of ceaseless violence in China, of war, occupation, civil war, and colonialism, leading to mass displacements of millions of people and extreme poverty. Both the cinema and the broader popular culture of this period have been little studied, partly because access to research materials is so difficult, partly because of the political…mehr

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Produktbeschreibung
Based on meticulous archival research and a repetorary of rare films, most of which were believed lost, this book is a pioneering critical study of the Chinese cinemas in Hong Kong and Shanghai and their complex interconnections. The years 1935-50 were a period of ceaseless violence in China, of war, occupation, civil war, and colonialism, leading to mass displacements of millions of people and extreme poverty. Both the cinema and the broader popular culture of this period have been little studied, partly because access to research materials is so difficult, partly because of the political problems involved (most films produced during the war have been considered pro-Japanese and their makers traitors). This study brings to light the humanity of the filmmakers, writers, and business people; the many facets of the historical situation in which they worked; and the complex politics of the films they made. >
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Autorenporträt
Poshek Fu is Associate Professor of History and Cinema Studies at the University of Illinois at Urbana-Champaign. He is the author of Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945 (Stanford, 1993) and co-editor of The Cinema of Hong Kong: History, Arts, Identity (2000).