Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. Once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. You'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities.
Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. Once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. You'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jeffrey Michael Bays is most widely known for XM Satellite radio's groundbreaking drama Not From Space (2003), a feature-length radio play that pioneered Internet recording techniques. In addition to his radio career, Jeffrey is a film scholar and director, and runs the popular Hitchcock website How to Turn your Boring Movie Into a Hitchcock Thriller. As an avid fan of Alfred Hitchcock, Jeffrey directed the Australian suspense film Offing David starring Nathaniel Buzolic (Vampire Diaries). Jeffrey has a BA from Webster University, and an MA in Cinema from La Trobe University, Australia.
Inhaltsangabe
TABLE OF CONTENTS Introduction How To Use This Book Looking at Films in a new Way From Instinct to Craft The Hidden Art: Why nobody notices 1. WHAT IS A SCENE TRANSITION? On the Set Anatomy of a Scene Transition Choices at the Transition The Life of a Scene Transition Six Major Transitions Transitions Between Sequences and Scenes Grab your Script 2. CHOOSING LOCATIONS THAT COLLIDE Scenequakes Collision with oppositions Sudden Absence Add More Drama to Boundaries Mental Maps Single Location Films 3. TYING YOUR EVENTS TOGETHER The Train Linking Through Similarity The Wright Wipe The Hook Linking Multiple Plots 4. EMOTIONAL PEAK: CHARACTER ON THE MOVE On the Move Looking at the Script Anatomy of Character at the Scene Change Emotional Ingredients To Show It or not to Show It If It's not in the Script Dialogue in Motion Adding Other Characters 5. EMOTIONAL EBB: SCENERY AND RELIEF Give Them a Break The Cinematic Ebb Variations in Camera Proximity The Audience Thinking and Feeling Connecting to Audience Feeling Uses of Scenery Objects, Motifs, Symbols Other Ways of Relief Storyteller's Attitude 6. MUSIC AND TRANSITIONS Silence Mechanical Uses of Music Telling the Story With Music Variations of Transformation Tactics Using Pre-Recorded Songs The Role of Lyrics 7. PUZZLING THE SCENES TOGETHER Tension and Release Scenes and their Flow Looking at the Script Deleted Scenes Fragmentation and Crescendo Intensity of Transitions Types of Transitional Scenes Bridging Them All Together 8. THE TIME MACHINE Storytelling is Abbreviation Ways to Show Time Manipulation Transitional Editing Speed Other Time Styles When not to Show Time Gestalt's Cousin 9. CASE STUDY: RIDLEY SCOTT'S GLADIATOR The Longest Transition Ever Maximus Escapes Execution Sleeping Through the Night Crosscutting To Family's Murder The Big reaction Carried to Zucchabar 10. TELEVISION VS. FEATURE FILM TRANSITIONS Film and TV Differences Commercial Breaks Multiple Plots The Future of Storytelling
TABLE OF CONTENTS Introduction How To Use This Book Looking at Films in a new Way From Instinct to Craft The Hidden Art: Why nobody notices 1. WHAT IS A SCENE TRANSITION? On the Set Anatomy of a Scene Transition Choices at the Transition The Life of a Scene Transition Six Major Transitions Transitions Between Sequences and Scenes Grab your Script 2. CHOOSING LOCATIONS THAT COLLIDE Scenequakes Collision with oppositions Sudden Absence Add More Drama to Boundaries Mental Maps Single Location Films 3. TYING YOUR EVENTS TOGETHER The Train Linking Through Similarity The Wright Wipe The Hook Linking Multiple Plots 4. EMOTIONAL PEAK: CHARACTER ON THE MOVE On the Move Looking at the Script Anatomy of Character at the Scene Change Emotional Ingredients To Show It or not to Show It If It's not in the Script Dialogue in Motion Adding Other Characters 5. EMOTIONAL EBB: SCENERY AND RELIEF Give Them a Break The Cinematic Ebb Variations in Camera Proximity The Audience Thinking and Feeling Connecting to Audience Feeling Uses of Scenery Objects, Motifs, Symbols Other Ways of Relief Storyteller's Attitude 6. MUSIC AND TRANSITIONS Silence Mechanical Uses of Music Telling the Story With Music Variations of Transformation Tactics Using Pre-Recorded Songs The Role of Lyrics 7. PUZZLING THE SCENES TOGETHER Tension and Release Scenes and their Flow Looking at the Script Deleted Scenes Fragmentation and Crescendo Intensity of Transitions Types of Transitional Scenes Bridging Them All Together 8. THE TIME MACHINE Storytelling is Abbreviation Ways to Show Time Manipulation Transitional Editing Speed Other Time Styles When not to Show Time Gestalt's Cousin 9. CASE STUDY: RIDLEY SCOTT'S GLADIATOR The Longest Transition Ever Maximus Escapes Execution Sleeping Through the Night Crosscutting To Family's Murder The Big reaction Carried to Zucchabar 10. TELEVISION VS. FEATURE FILM TRANSITIONS Film and TV Differences Commercial Breaks Multiple Plots The Future of Storytelling
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