Between two worlds and Xarop - Espinel, Lucía
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In the present title, the hybridization of the joropo llanero and flamenco is perceived from the flute, from the perspective of two works that fuse both rhythms. It also details the background of the joropo llanero and the flamenco and its descent to the fandango as a generator axis of these sonorities in the instrument. As a result of this research, the musical resources in common between the joropo llanero and flamenco used in the transverse flute as an element of intersection in works that contain both rhythms are evidenced. On the other hand, there are contributions related to the musical…mehr

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Produktbeschreibung
In the present title, the hybridization of the joropo llanero and flamenco is perceived from the flute, from the perspective of two works that fuse both rhythms. It also details the background of the joropo llanero and the flamenco and its descent to the fandango as a generator axis of these sonorities in the instrument. As a result of this research, the musical resources in common between the joropo llanero and flamenco used in the transverse flute as an element of intersection in works that contain both rhythms are evidenced. On the other hand, there are contributions related to the musical elements found from the flautist point of view in the works "Entre dos mundos" by composer Omar Acosta and "Xarop" by composer Ignacio Ramos.
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Autorenporträt
Master in music from the University of Pamplona, Specialist in methodology for art education, University of Pamplona, Master in musicology from the International University of La Rioja, Logroño, Spain. Candidate for a master's degree in interpretation of Latin American music of the twentieth century from the National University of Cuyo, Mendoza, Argentina.