Beyond 2.0 - Collins, Steve; Young, Sherman
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The music industry, as with most other media forms, is in the middle of a period of enormous transformation. Digital technologies have empowered producers and consumers of music - traditional ways of making and distributing music are under threat as musicians and their audiences embrace new opportunities, many of which bypass the incumbent middlemen. Whilst it is clear that the music industry is thriving, the traditional recording industry, dominated by a handful of multinational corporations is struggling to stay relevant. The changes are so dramatic that the term "Music 2.0" has become…mehr

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Produktbeschreibung
The music industry, as with most other media forms, is in the middle of a period of enormous transformation. Digital technologies have empowered producers and consumers of music - traditional ways of making and distributing music are under threat as musicians and their audiences embrace new opportunities, many of which bypass the incumbent middlemen. Whilst it is clear that the music industry is thriving, the traditional recording industry, dominated by a handful of multinational corporations is struggling to stay relevant. The changes are so dramatic that the term "Music 2.0" has become commonly used to delineate old and new business models and approaches. But the demise of the traditional music industry is overstating things - the reality is that (whilst their profits may be diminishing) they still dominate a multi-billion dollar marketplace and exercise unprecedented control over the star-making process. And, of course, they have the resources to be able to reinvent themselves. The actual future of music is a complex and contested one. This book aims to unpack that complexity, map the changes and explain the causes and motivations surrounding an industry undergoing change. It explores the world of popular music from three distinct perspectives. Firstly, it examines the new opportunities available to consumers of music - interrogating how the lines between production and consumption are blurring, creating fans who do much more than just listen to music. Secondly, it draws on interviews with a diverse range of musicians explaining their place in the brave new world and trying to articulate their newly defined roles. Finally, it examines the industry itself, and unpack the responses to current challenges from new and old players alike.
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Autorenporträt
Steve Collins is Senior Lecturer in Multimedia in the Department of Media, Music and Cultural Studies at Macquarie University where his research interests include new media technologies, copyright law and the impact of music technologies on the creative process and the music industry. Steve is also a musician and has been releasing original music online under the name INfest8 since 1998 and producing remixes for bands around the world. Sherman Young is Associate Professor in the Department of Media, Music and Cultural Studies at Macquarie University, where his research interests include the impact of new media technologies and the future of the book. He is the author of The Book is Dead, Long Live the Book (UNSW, 2007). Prior to academia, Sherman produced multimedia for a range of clients with a focus on introducing clients to new media technologies. In a former life, he was an amateur musician whose musical claim to fame is playing in a covers band which had a short residency at The Woolloomooloo Bay Hotel.