Leading composers, producers and writers consider the role of the composer in the community in Britain today and over the last fifty years.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Wiegold and Ghislaine Kenyon: Introduction - Peter Wiegold and Ghislaine Kenyon Benjamin Britten: On Receiving the First Aspen Award (reprint) Colin Matthews: 'Music is now free for all': Britten's Aspen Award Speech - Colin Matthews Howard Skempton: Britten and Cardew - Howard Skempton Christopher Fox: After the Fludde: ambitious music for all-comers - Christopher Fox Gillian Moore: 'A vigorous unbroken tradition': British composers and the community since the beginning of the twentieth century - Gillian Moore Eugene Skeef: 'I am because you are' - Eugene Skeef Tommy Pearson: 'A real composer coming talk to us' - Tommy Pearson Nigel Osborne: Running away from rock 'n' roll - Nigel Osborne John Barber: Finding a place in Society; finding a voice - John Barber James Redwood: A matrix of possibilities - James Redwood Katie Tearle: 'I was St Francis' - Katie Tearle Judith Webster: Reflections on Composers, Orchestras and Communities: motivation, music and meaning' - Judith Webster Douglas Mitchell: 'Sounding good with other people' - Douglas Mitchell Peter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Peter Wiegold Peter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Amoret Abis John Sloboda: The Composer and the Audience - John Sloboda Amoret Abis:The Composer in the Classroom - Amoret Abis Sean Gregory: Unleashed: Collaboration, Connectivity and Creativity - Sean Gregory Detta Danford and Natasha Zielazinski: One Equal Music - Detta Danford and Natasha Zielazinski Peter Wiegold: That's how it happens - Peter Wiegold Jonathan Reekie: Britten's Holy Triangle - Jonathan Reekie Postlude Peter Wiegold: Appendix: A Practice - Peter Wiegold
Peter Wiegold and Ghislaine Kenyon: Introduction - Peter Wiegold and Ghislaine Kenyon Benjamin Britten: On Receiving the First Aspen Award (reprint) Colin Matthews: 'Music is now free for all': Britten's Aspen Award Speech - Colin Matthews Howard Skempton: Britten and Cardew - Howard Skempton Christopher Fox: After the Fludde: ambitious music for all-comers - Christopher Fox Gillian Moore: 'A vigorous unbroken tradition': British composers and the community since the beginning of the twentieth century - Gillian Moore Eugene Skeef: 'I am because you are' - Eugene Skeef Tommy Pearson: 'A real composer coming talk to us' - Tommy Pearson Nigel Osborne: Running away from rock 'n' roll - Nigel Osborne John Barber: Finding a place in Society; finding a voice - John Barber James Redwood: A matrix of possibilities - James Redwood Katie Tearle: 'I was St Francis' - Katie Tearle Judith Webster: Reflections on Composers, Orchestras and Communities: motivation, music and meaning' - Judith Webster Douglas Mitchell: 'Sounding good with other people' - Douglas Mitchell Peter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Peter Wiegold Peter Wiegold and Amoret Abis: 'Making Music is How you Understand It': Dartington Conversations with Harrison Birtwistle, Philip Cashian, Peter Wiegold and John Woolrich - Amoret Abis John Sloboda: The Composer and the Audience - John Sloboda Amoret Abis:The Composer in the Classroom - Amoret Abis Sean Gregory: Unleashed: Collaboration, Connectivity and Creativity - Sean Gregory Detta Danford and Natasha Zielazinski: One Equal Music - Detta Danford and Natasha Zielazinski Peter Wiegold: That's how it happens - Peter Wiegold Jonathan Reekie: Britten's Holy Triangle - Jonathan Reekie Postlude Peter Wiegold: Appendix: A Practice - Peter Wiegold
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