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- Broschiertes Buch
The impact of digital surround sound on filmmaking
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Produktdetails
- Produktdetails
- Verlag: Indiana University Press
- Seitenzahl: 392
- Erscheinungstermin: 23. November 2010
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 584g
- ISBN-13: 9780253222527
- ISBN-10: 0253222524
- Artikelnr.: 29977643
- Verlag: Indiana University Press
- Seitenzahl: 392
- Erscheinungstermin: 23. November 2010
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 584g
- ISBN-13: 9780253222527
- ISBN-10: 0253222524
- Artikelnr.: 29977643
Mark Kerins
Contents
Acknowledgments
Introduction
Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital
Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic
Conclusion: Media and Media Studies in the Digital Surround Age
Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index
Acknowledgments
Introduction
Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital
Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic
Conclusion: Media and Media Studies in the Digital Surround Age
Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index
Contents
Acknowledgments
Introduction
Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital
Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic
Conclusion: Media and Media Studies in the Digital Surround Age
Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index
Acknowledgments
Introduction
Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital
Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic
Conclusion: Media and Media Studies in the Digital Surround Age
Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index