Beyond Drainage Channels: The Characteristics and Global Variations of Colluvium Deposits - Richard
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Periglacial slope deposits also known as cover beds (CB) are an accepted phenomenon in Europe. KLEBER AND TERHORST (2013b) defined: "CBs are deposits that formed by unconcentrated dislocation processes chiefly from upslope materials, but that may contain admixed eolian matter. They cover undifferentiated slopes to a large extent or even completely rather than being restricted to drainage ways, linear discharges, or local failures. CBs typically consist of several layers separated by disconformities." In Europe, CB consist of an upper layer ("Hauptlage", LH), an intermediate layer…mehr

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Produktbeschreibung
Periglacial slope deposits also known as cover beds (CB) are an accepted phenomenon in Europe. KLEBER AND TERHORST (2013b) defined: "CBs are deposits that formed by unconcentrated dislocation processes chiefly from upslope materials, but that may contain admixed eolian matter. They cover undifferentiated slopes to a large extent or even completely rather than being restricted to drainage ways, linear discharges, or local failures. CBs typically consist of several layers separated by disconformities." In Europe, CB consist of an upper layer ("Hauptlage", LH), an intermediate layer ("Mittellage", LM) and a basal layer ("Basislage", LB). According to KLEBER AND TERHORST (2013a) neither do all these types occur outside of Europe, nor are the CBs tied to the previous glaciation alone. In New Zealand the same term does not comply with the European definition but has a more generic meaning (RAESIDE; 1964) . Nonetheless, CBs are being studied in Europe, Asia and Australia, whereas in theUSA the definition has not yet been established (HÜLLE ET AL. 2009; KLEBER 1997; WAROSZEWSKI ET AL. 2020).
Autorenporträt
Professor Dr. Richard, for your History of Sound course, I propose "Connecting With Sounds: A Network History." This book explores how technology has fundamentally transformed our relationship with sound. We'll delve into the history of audio technologies ¿ from the phonograph to the internet ¿ and analyze how communication networks have revolutionized how we create, share, and experience music. From the rise of global music cultures to the impact of radio and the internet on soundscapes, "Connecting With Sounds" explores how technology facilitated the exchange of sounds across continents. But this book goes beyond the technical. We'll analyze the social and cultural impact of networked sound, exploring its role in historical events, the influence of social media on music discovery, and the rise of online communities that reshape how we experience music. "Connecting With Sounds" dives deeper, examining how the "network society" itself becomes a network of sound through online platforms and streaming services, fostering new forms of interaction and transforming the role of music curators and DJs. This book is a valuable resource for anyone interested in the fascinating interplay between technology, sound, and society.