An exploration of the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul, Beyond Melancholy demonstrates the value of an inclusive and interdisciplinary approach to the study of the emotional past.
An exploration of the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul, Beyond Melancholy demonstrates the value of an inclusive and interdisciplinary approach to the study of the emotional past.
Erin Sullivan is a Senior Lecturer and Fellow at the Shakespeare Institute, University of Birmingham. Her work focuses on the relationship between emotion, culture, and identity, both in Shakespeare's time and today. She is the co-editor of The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (2015) and Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (2015).
Inhaltsangabe
Introduction: Approaching Sadness 1: Sadness, Selfhood, and Dis-ease 2: Grief: Passion, Action, and the Possibility of Self-knowledge 3: Melancholy: Humorous Identity and the Allure of Genius 4: Godly Sorrow: Feeling Faith and the Broken-down Heart 5: Despair: Narrative Authority and the Drama of Doubleness Conclusion: Sadness and Self-authorship
Introduction: Approaching Sadness 1: Sadness, Selfhood, and Dis-ease 2: Grief: Passion, Action, and the Possibility of Self-knowledge 3: Melancholy: Humorous Identity and the Allure of Genius 4: Godly Sorrow: Feeling Faith and the Broken-down Heart 5: Despair: Narrative Authority and the Drama of Doubleness Conclusion: Sadness and Self-authorship
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