Explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice.
Explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice.
Carlos Garrido Castellano is a lecturer at the Spanish, Portuguese, and Latin American Studies Department at Cork University in Cork, Ireland and a researcher at the University Lisbon in Portugal.
Inhaltsangabe
Contents Introduction 1 Being Here and There. Curatorial-specific Approaches to Caribbean Reality 2 Caribbean Art Institutions, Critique and the Public Sphere 3 Art Melting in Site-Specificity. Performance Art and Public Space in the Dominican Republic 4 Towards a Diasporic Counterstreaming Caribbean Imagination 5 Subversive Alliances. Collaborative Agency beyond Representation Coda: Artistic Agency, Space, and the Praxis of Caribbean Studies Bibliography Index
Contents Introduction 1 Being Here and There. Curatorial-specific Approaches to Caribbean Reality 2 Caribbean Art Institutions, Critique and the Public Sphere 3 Art Melting in Site-Specificity. Performance Art and Public Space in the Dominican Republic 4 Towards a Diasporic Counterstreaming Caribbean Imagination 5 Subversive Alliances. Collaborative Agency beyond Representation Coda: Artistic Agency, Space, and the Praxis of Caribbean Studies Bibliography Index
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