"The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history"--
"The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments A Note on the Paul Whiteman Collection at Williams College Lisa Conathan Introduction: Naming and Placing Whiteman W. Anthony Sheppard 1. Black Music, White Bodies, Paul Whiteman’s Body Stephanie Doktor 2. Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton’s “The Musical Bunch” Christi Jay Wells 3. Paul Whiteman and Modern Metropolitan Music, 1927–1940 John Howland 4. Arranging Orientalism for Whiteman Ryan Raul Bañagale 5. Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost 6. “Symphonised Syncopation”: Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley 7. RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo 8. Integration and Segregation in Whiteman’s Music Television, 1948–1955 W. Anthony Sheppard 9. Afterword Elijah Wald Contributors Bibliography Index
Acknowledgments A Note on the Paul Whiteman Collection at Williams College Lisa Conathan Introduction: Naming and Placing Whiteman W. Anthony Sheppard 1. Black Music, White Bodies, Paul Whiteman’s Body Stephanie Doktor 2. Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peyton’s “The Musical Bunch” Christi Jay Wells 3. Paul Whiteman and Modern Metropolitan Music, 1927–1940 John Howland 4. Arranging Orientalism for Whiteman Ryan Raul Bañagale 5. Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost 6. “Symphonised Syncopation”: Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley 7. RCA v. Whiteman and the Case for Radio Broadcast Rights Katherine M. Leo 8. Integration and Segregation in Whiteman’s Music Television, 1948–1955 W. Anthony Sheppard 9. Afterword Elijah Wald Contributors Bibliography Index
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