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Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 5. März 2012
- Englisch
- Abmessung: 254mm x 178mm x 19mm
- Gewicht: 655g
- ISBN-13: 9780521556248
- ISBN-10: 0521556244
- Artikelnr.: 21222026
Part I. Europe: 1. Ferdinand Hodler (1972)
2. Art in a turbulent era: German and Austrian Expressionism (1978)
3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991)
4. Schoenberg and the visual arts (1974)
5. The persistence of Expressionism: the second generation (1989)
6. German realism of the twenties: the artist as social critic (1980)
7. Max Beckmann: the self-portraits (1992)
8. Degenerate Art reconstructed (1991)
9. Revival and survival of Expressionist trends in the art of the GDR (1989)
10. Eduardo Chillida: art in the public domain (1986, 1988)
Part II. Atlantic Crossing: 11. Americans abroad (1993)
12. The impact from abroad: foreign guests and visitors in California (1996)
13. Modernism comes to Chicago: the Institute of Design (1996)
14. New images of man (1959)
15. Directions in Kinetic sculpture (1966)
Part III. United States: 16. Max Beckmann in America (1984)
17. Sam Francis: Blue Balls (1991)
18. Agnes Denes: the artist as universalist (1992)
19. The flaccid art (1963)
20. Notes on Funk (1967)
21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987)
22. Harold Persico Paris (1992)
23. Rupert Garcia: the artist as advocate (1991)
24. Oh Say Can You See? Flags: Johns to Burkhardt (1992)
25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).
2. Art in a turbulent era: German and Austrian Expressionism (1978)
3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991)
4. Schoenberg and the visual arts (1974)
5. The persistence of Expressionism: the second generation (1989)
6. German realism of the twenties: the artist as social critic (1980)
7. Max Beckmann: the self-portraits (1992)
8. Degenerate Art reconstructed (1991)
9. Revival and survival of Expressionist trends in the art of the GDR (1989)
10. Eduardo Chillida: art in the public domain (1986, 1988)
Part II. Atlantic Crossing: 11. Americans abroad (1993)
12. The impact from abroad: foreign guests and visitors in California (1996)
13. Modernism comes to Chicago: the Institute of Design (1996)
14. New images of man (1959)
15. Directions in Kinetic sculpture (1966)
Part III. United States: 16. Max Beckmann in America (1984)
17. Sam Francis: Blue Balls (1991)
18. Agnes Denes: the artist as universalist (1992)
19. The flaccid art (1963)
20. Notes on Funk (1967)
21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987)
22. Harold Persico Paris (1992)
23. Rupert Garcia: the artist as advocate (1991)
24. Oh Say Can You See? Flags: Johns to Burkhardt (1992)
25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).
Part I. Europe: 1. Ferdinand Hodler (1972)
2. Art in a turbulent era: German and Austrian Expressionism (1978)
3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991)
4. Schoenberg and the visual arts (1974)
5. The persistence of Expressionism: the second generation (1989)
6. German realism of the twenties: the artist as social critic (1980)
7. Max Beckmann: the self-portraits (1992)
8. Degenerate Art reconstructed (1991)
9. Revival and survival of Expressionist trends in the art of the GDR (1989)
10. Eduardo Chillida: art in the public domain (1986, 1988)
Part II. Atlantic Crossing: 11. Americans abroad (1993)
12. The impact from abroad: foreign guests and visitors in California (1996)
13. Modernism comes to Chicago: the Institute of Design (1996)
14. New images of man (1959)
15. Directions in Kinetic sculpture (1966)
Part III. United States: 16. Max Beckmann in America (1984)
17. Sam Francis: Blue Balls (1991)
18. Agnes Denes: the artist as universalist (1992)
19. The flaccid art (1963)
20. Notes on Funk (1967)
21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987)
22. Harold Persico Paris (1992)
23. Rupert Garcia: the artist as advocate (1991)
24. Oh Say Can You See? Flags: Johns to Burkhardt (1992)
25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).
2. Art in a turbulent era: German and Austrian Expressionism (1978)
3. Emergence of the Avant-Garde: first German autumn Salon of 1913 (1991)
4. Schoenberg and the visual arts (1974)
5. The persistence of Expressionism: the second generation (1989)
6. German realism of the twenties: the artist as social critic (1980)
7. Max Beckmann: the self-portraits (1992)
8. Degenerate Art reconstructed (1991)
9. Revival and survival of Expressionist trends in the art of the GDR (1989)
10. Eduardo Chillida: art in the public domain (1986, 1988)
Part II. Atlantic Crossing: 11. Americans abroad (1993)
12. The impact from abroad: foreign guests and visitors in California (1996)
13. Modernism comes to Chicago: the Institute of Design (1996)
14. New images of man (1959)
15. Directions in Kinetic sculpture (1966)
Part III. United States: 16. Max Beckmann in America (1984)
17. Sam Francis: Blue Balls (1991)
18. Agnes Denes: the artist as universalist (1992)
19. The flaccid art (1963)
20. Notes on Funk (1967)
21. Llyn Foulkes' work of the 1960s: images of disruption and illusion (1987)
22. Harold Persico Paris (1992)
23. Rupert Garcia: the artist as advocate (1991)
24. Oh Say Can You See? Flags: Johns to Burkhardt (1992)
25. Bedri Baykam: American xenophobia and Expressionist dreams (1986).