Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice.
Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice.
Introduction 1 I. Within and Beyond the Canon 1. The Incommensurablity of Socially Engaged Art 33 2. Escrache and Autonomy 54 II. From Object to Event 3. Dematerialization and Aesthetics in Real Time 85 4. The Aesthetic of Answerability 105 III. A Dialogical Aesthetic 5. Social Labor and Communicative Action 137 6. Our Pernicious Temporality 171 7. Being Human as Praxis 202 Conclusion. Beyond the White Wall 229 Notes 235 Works Cited 255 Index 271
Introduction 1 I. Within and Beyond the Canon 1. The Incommensurablity of Socially Engaged Art 33 2. Escrache and Autonomy 54 II. From Object to Event 3. Dematerialization and Aesthetics in Real Time 85 4. The Aesthetic of Answerability 105 III. A Dialogical Aesthetic 5. Social Labor and Communicative Action 137 6. Our Pernicious Temporality 171 7. Being Human as Praxis 202 Conclusion. Beyond the White Wall 229 Notes 235 Works Cited 255 Index 271
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