Nichole T. Rustin is completing a book titled Jazz Men: Race, Masculine Difference, and the Emotions in 1950s America. Sherrie Tucker is Associate Professor of American Studies at the University of Kansas. She is the author of Swing Shift: “All-Girl” Bands of the 1940s , also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction / Nichole T. Rustin and Sherrie Tucker 1 Part I. Rooting Gender in Jazz History Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli 31 With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s / Jeffrey Taylor 48 Gender, Jazz, and the Popular Front / Monica Hairston 64 "The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in the Second World War / Christina Baade 90 Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in Music / Tracy McMullen 129 Part II. Improvising Gender: Embodiment and Performance From the Point of View of the Pavement: A Geopolitics of Black Dance / Jayna Brown 157 Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180 "Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210 "But This Music is Mine Already!" : "White Woman" as Jazz Collector in the Film New Orleans (1947) / Sherrie Tucker 235 Fitting the Part / Ingrid Monson 267 Part III. Reimagining Jazz Representations "Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift): The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar Germany / Ursel Schlicht 291 Exclusion, Openness, and Utopia in Black Male Performance at the World Stage Jazz Jam Sessions / João H. Costa Vargas 320 "It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann Williams and Toni Cade Bambara / Farah Jasmine Griffin 348 "Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361 The Gendered Jazz Aesthetics of That Man of Man: The International Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393 Bibliography 423 Contributors 435 Index 441
Acknowledgments vii Introduction / Nichole T. Rustin and Sherrie Tucker 1 Part I. Rooting Gender in Jazz History Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli 31 With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s / Jeffrey Taylor 48 Gender, Jazz, and the Popular Front / Monica Hairston 64 "The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in the Second World War / Christina Baade 90 Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in Music / Tracy McMullen 129 Part II. Improvising Gender: Embodiment and Performance From the Point of View of the Pavement: A Geopolitics of Black Dance / Jayna Brown 157 Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180 "Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210 "But This Music is Mine Already!" : "White Woman" as Jazz Collector in the Film New Orleans (1947) / Sherrie Tucker 235 Fitting the Part / Ingrid Monson 267 Part III. Reimagining Jazz Representations "Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift): The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar Germany / Ursel Schlicht 291 Exclusion, Openness, and Utopia in Black Male Performance at the World Stage Jazz Jam Sessions / João H. Costa Vargas 320 "It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann Williams and Toni Cade Bambara / Farah Jasmine Griffin 348 "Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361 The Gendered Jazz Aesthetics of That Man of Man: The International Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393 Bibliography 423 Contributors 435 Index 441
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