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Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 3,0, University of Marburg (Institut für Anglistik und Amerikanistik), course: Transatlantic Stereotyping - Views From / About Both Sides of the Ocean, language: English, abstract: Criticism of Bryson's novels is not advanced but his narratives can be investigated in terms of genre, intertextuality, language, and nationality. This paper expands on the topic of Bryson's view both of Great Britain and the United States of America by means of national stereotyping as it emerges from his novels Notes from a Small…mehr

Produktbeschreibung
Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 3,0, University of Marburg (Institut für Anglistik und Amerikanistik), course: Transatlantic Stereotyping - Views From / About Both Sides of the Ocean, language: English, abstract: Criticism of Bryson's novels is not advanced but his narratives can be investigated in terms of genre, intertextuality, language, and nationality. This paper expands on the topic of Bryson's view both of Great Britain and the United States of America by means of national stereotyping as it emerges from his novels Notes from a Small Island (1995) and Notes from a Big Country (1998). I maintain that Bryson depicts Britain and America in an authentic andeducative as well as hilarious and exaggerated manner to emphasize differences between the nations in question. I will prove my thesis that Bryson both criticises and praises British andAmerican values which affect the national character. Bryson conveys his national viewsboth from the perspective of an insider and outsider.William "Bill" McGuire Bryson was born in Des Moines, Iowa, in 1951. In 1973, he travelled to England where he became acquainted with his wife, Cynthia Billen, with whom he has four children. Bryson lived in Yorkshire, returned to America to graduate in 1995, and resided with his family in Norfolk, in 2003. While in America Bryson is well-known for elaborating on the English language, he accomplished bestseller standing with travelogues in Great Britain. Although he claims not to be a travel writer because he "stumbled into this genre", Bryson composes "books on travel and the English language" in which his"wanderlust and eccentricity" promise a unique reading adventure (Oder 191).Travel writing is a neglected but miscellaneous genre of ancient times which flourished in the sixteenth century and encompasses narratives of expansionism, such asencyclopaedic accounts of foreign nations, and became the principal negotiator of propagating stereotypes in colonial novels. While Bryson's journey novel Notes from a Small Islanddepicts the Great Britain he adores, he grudgingly wrote columns about America which resulted in his journalistic novel Notes from a Big Country.
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Autorenporträt
Oliver Baum, 1979 in Hamburg geboren, studierte Anglistik Literaturwissenschaft, Amerikanistik und Europäische Ethnologie und absolvierte eine Ausbildung zum staatlich geprüften Fremdsprachenkorrespondenten/ Europasekretär. Er arbeitete in einem Verlag, in Redaktionen, in einer Musikagentur sowie als ehrenamtlicher Übersetzer und jobbte mehrere Jahre in einem Supermarkt an der Kasse. Neben wissenschaftlichen Essays und diversen Texten schreibt er vor allem Lyrik und auch Prosa. "Krähen im Feuerwind" ist sein erster Gedichtband. Oliver Baum lebt derzeit in Berlin und arbeitet an weiteren Lyrik- und Prosaprojekten.