Bill Viola began producing video works in the early 1970s, and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. He is considered among the most celebrated proponents of the medium of video art. This book gives an account of one of contemporary art's most powerful creative minds.
Bill Viola began producing video works in the early 1970s, and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. He is considered among the most celebrated proponents of the medium of video art. This book gives an account of one of contemporary art's most powerful creative minds.
John Hanhardt is a Consulting Senior Curator for Film and Media Arts at the Smithsonian American Art Museum in Washington, DC.
Inhaltsangabe
Introduction: Thought, Reflection, Belief Chapter 1: The Discovery of Video Chapter 2: 1970s: Reflections on Nature and Time Chapter 3: 1980s: Expanded Visions of Life and Memory Chapter 4: 1990s: The Joining of the Spiritual to the Aesthetic Chapter 5: 1900s: Embodying Emotion on Video Chapter 6: 2000s: A Humanism for Our Time CODA: The Martyrs
Introduction: Thought, Reflection, Belief Chapter 1: The Discovery of Video Chapter 2: 1970s: Reflections on Nature and Time Chapter 3: 1980s: Expanded Visions of Life and Memory Chapter 4: 1990s: The Joining of the Spiritual to the Aesthetic Chapter 5: 1900s: Embodying Emotion on Video Chapter 6: 2000s: A Humanism for Our Time CODA: The Martyrs
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