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In 1936 as Texas prepared to celebrate its centennial -- 100 years after the Battle of San Jacinto -- Dallas was chosen as the site of the official exhibition. Plans were under way for a modest Frontier Days Celebration in Fort Worth -- until Star-Telegram publisher and civic booster Amon G. Carter stepped in. Carter considered the naming of Dallas as the official site a gross miscarriage of justice and was determined to get even by mounting a show that would directly rival the official event -- and pull tourist dollars into Fort Worth. To put his celebration together Carter hired flamboyant…mehr

Produktbeschreibung
In 1936 as Texas prepared to celebrate its centennial -- 100 years after the Battle of San Jacinto -- Dallas was chosen as the site of the official exhibition. Plans were under way for a modest Frontier Days Celebration in Fort Worth -- until Star-Telegram publisher and civic booster Amon G. Carter stepped in. Carter considered the naming of Dallas as the official site a gross miscarriage of justice and was determined to get even by mounting a show that would directly rival the official event -- and pull tourist dollars into Fort Worth. To put his celebration together Carter hired flamboyant Broadway producer Billy Rose. The result was Fort Worth's Frontier Centennial, an improbable conglomeration of agricultural exhibits, sideshow nudes, an old-time Wild West show, Rose's musicalized circus Jumbo, and a parade of Broadway and vaudeville talent led by feature artiste, stripper Sally Rand.
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Autorenporträt
Jan Jones is a Fort Worth native who has taught theater and English in the Metroplex for almost thirty years. Her interest in Casa Mañana began in 1980 when she wrote her master's thesis on the current theater-in-the-round. This is her first book.