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Global Cinema takes a new approach to world cinema through critical theory. Instead of taking a world tour of national cinemas or displaying their transnational exchanges, Seung-hoon Jeong here sheds light on contemporary films' reflections of global phenomena related to conflicting biopolitical and ethical facets of globalization.

Produktbeschreibung
Global Cinema takes a new approach to world cinema through critical theory. Instead of taking a world tour of national cinemas or displaying their transnational exchanges, Seung-hoon Jeong here sheds light on contemporary films' reflections of global phenomena related to conflicting biopolitical and ethical facets of globalization.
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Autorenporträt
Seung-hoon Jeong is Assistant Professor of Film and Electronic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology.