Birds of the Sherborne Missal - Bletsoe, Elisabeth
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In this poem-cycle, each bird was observed in its native habitat within the boundaries of the diocese and then linked back to the Sherborne missal through religious iconography, ... methods of illumination as well as bird mythology.

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Produktbeschreibung
In this poem-cycle, each bird was observed in its native habitat within the boundaries of the diocese and then linked back to the Sherborne missal through religious iconography, ... methods of illumination as well as bird mythology.
Autorenporträt
Elisabeth Bletsoe is the curator of Sherborne Museum in her native Dorset. Her publications include Landscape from a Dream (Shearsman 2008) and Pharmacopoeia & Early Selected Works (Shearsman 2010). She has featured in various anthologies including Infinite Difference: Other Poetries by UK Women Poets, ed. Carrie Etter (Shearsman 2010), The Ground Aslant: An Anthology of Radical Landscape Poetry, ed. Harriet Tarlo (Shearsman 2011) and The Edge of Necessary: an Anthology of Welsh Innovative Poetry 1966-2018, eds. John Goodby and Lyndon Davies (Aquifer Books 2018). She is currently involved with the artist Frances Hatch, providing textual responses to her collages in the exhibition/publications Drawn to Antarctica and Chesil Moons. She has also collaborated with the Cambridge composer Kim B. Ashton, who has set several poems from Pharmacopoeia and Birds of the Sherborne Missal to music for piano and full orchestra.