An engaging, wide-ranging, and groundbreaking reexamination of the relationship between African American writers and the communist movement in the US.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cathy Bergin (DPhil (2004) is a Senior Lecturer in the Humanities Programme at the University of Brighton.
Inhaltsangabe
Acknowledgements Introduction PART I: RADICAL ALLIANCES Chapter One: 'Towards Soviet America' 1.1 Determinations and determinism: Lenin, Stalin and the Comintern 1.2 Swearing allegiances: Garveyism and Communism 1.3 Trials on trial: Yokine2.1n and Scottsboro Chapter Two: The Liberator (1929-1935) 2.1 The Liberator: the black bourgeoisie and revolutionary tradition 2.2 The Liberator: interracial solidarity and internationalism 2.3 The Liberator: black cultural politics Chapter Three: Native Son: Ghetto Nightmares 3.1 'Poor Richard Wright': the black protest novel 3.2 A room of one's own?: Bigger, rage and consciousness 3.3 'Russian folks': The Communist Party in Native Son PART II: BETRAYALS AND DEFEAT Chapter Four: 'Communism is the Twentieth Century Americanism' 4.1 Popular Front: remaking African American culture 4.2 Peace and war: shifting priorities Chapter five: Lonely Crusade: Union Dues 5.1 'History as nightmare': The critical reception of Lonely Crusade 5.2 'This illusion of manhood': Lee Gordon, rage and impotence 5.3 'Sure, I 'longs to the Party. But I is a nigger first': the Communist Party in Lonely Crusade Chapter six: Invisible Man: Un-American Activities 6.1 'Beautiful absurdity': Ellison, responsibility and identity 6.2 'Riding race again': the Communist Party in Invisible Man Conclusion Bibliography Index
Acknowledgements Introduction PART I: RADICAL ALLIANCES Chapter One: 'Towards Soviet America' 1.1 Determinations and determinism: Lenin, Stalin and the Comintern 1.2 Swearing allegiances: Garveyism and Communism 1.3 Trials on trial: Yokine2.1n and Scottsboro Chapter Two: The Liberator (1929-1935) 2.1 The Liberator: the black bourgeoisie and revolutionary tradition 2.2 The Liberator: interracial solidarity and internationalism 2.3 The Liberator: black cultural politics Chapter Three: Native Son: Ghetto Nightmares 3.1 'Poor Richard Wright': the black protest novel 3.2 A room of one's own?: Bigger, rage and consciousness 3.3 'Russian folks': The Communist Party in Native Son PART II: BETRAYALS AND DEFEAT Chapter Four: 'Communism is the Twentieth Century Americanism' 4.1 Popular Front: remaking African American culture 4.2 Peace and war: shifting priorities Chapter five: Lonely Crusade: Union Dues 5.1 'History as nightmare': The critical reception of Lonely Crusade 5.2 'This illusion of manhood': Lee Gordon, rage and impotence 5.3 'Sure, I 'longs to the Party. But I is a nigger first': the Communist Party in Lonely Crusade Chapter six: Invisible Man: Un-American Activities 6.1 'Beautiful absurdity': Ellison, responsibility and identity 6.2 'Riding race again': the Communist Party in Invisible Man Conclusion Bibliography Index
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