Colin Chambers' timely study traces the history of 'the other' in British theatre from the early representations of the 16th century and blackface through to the emergence of black actors and Black and Asian theatre in their own right.
Colin Chambers' timely study traces the history of 'the other' in British theatre from the early representations of the 16th century and blackface through to the emergence of black actors and Black and Asian theatre in their own right.
Colin Chambers was Kingston University's first Professor of Drama. Formerly a journalist and theatre critic, he was Literary Manager of the Royal Shakespeare Company from 1981 to 1997. His books include The Story of Unity Theatre (1989), the award-winning biography Peggy: The Life of Margaret Ramsay, Play Agent (1997), The Continuum Companion to Twentieth Century Theatre (editor, 2002), Inside the Royal Shakespeare Company (2004) and Here We Stand (2006).
Inhaltsangabe
1. Before Aldridge 2. Aldridge and the age of minstrelsy 3. From Aldridge to World War I 4. From World War I to World War II 5. Post war to the end of the 1960s 6. Black Theatre, 1970-1980 7. Asian diasporic theatre from the 1970s 8. 1980s and beyond
1. Before Aldridge 2. Aldridge and the age of minstrelsy 3. From Aldridge to World War I 4. From World War I to World War II 5. Post war to the end of the 1960s 6. Black Theatre, 1970-1980 7. Asian diasporic theatre from the 1970s 8. 1980s and beyond
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