Combining rich ethnographic research amongst Black British women of Caribbean heritage, with a discussion of the broader 'Black Atlantic' context, Shirley Tate offers a unique exploration of beauty, race and identity politics, revealing how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty.
Combining rich ethnographic research amongst Black British women of Caribbean heritage, with a discussion of the broader 'Black Atlantic' context, Shirley Tate offers a unique exploration of beauty, race and identity politics, revealing how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty.
Shirley Anne Tate is Senior Lecturer and Acting Director, Centre for Interdisciplinary Gender Studies at the University of Leeds, UK. She is the author of 'Black Skins, Black Masks: Hybridity, Dialogism, Performativity' (2005).
Inhaltsangabe
Acknowledgments Introduction Chapter 1 'Beauty Comes From Within' Chapter 2 Anti-Racist Aesthetics in the 21st Century Chapter 3 'Race', Beauty and Melancholia Chapter 4 The Shame of Beauty is its Transformative Potential Chapter 5 'The Browning', Straighteners, and Fake Tan Chapter 6 Hybrid Black Beauty? Chapter 7 Conclusion
Acknowledgments Introduction Chapter 1 'Beauty Comes From Within' Chapter 2 Anti-Racist Aesthetics in the 21st Century Chapter 3 'Race', Beauty and Melancholia Chapter 4 The Shame of Beauty is its Transformative Potential Chapter 5 'The Browning', Straighteners, and Fake Tan Chapter 6 Hybrid Black Beauty? Chapter 7 Conclusion
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