Black, Brown, & Beige

Surrealist Writings from Africa and the Diaspora
Herausgeber: Rosemont, Franklin

• Broschiertes Buch

Produktbeschreibung

The first collection to document the extensive participation of people of African descentâ including poets, painters, sculptors, theorists, critics, dancers, and playwrightsâ in the international surrealist movement over the past 75 years.

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Produktdetails

• Surrealist Revolution Series
• Verlag: University of Texas Press
• Seitenzahl: 416
• Erscheinungstermin: 1. Dezember 2009
• Englisch
• Abmessung: 229mm x 152mm x 24mm
• Gewicht: 638g
• ISBN-13: 9780292725812
• ISBN-10: 0292725817
• Artikelnr.: 32731051

Autorenporträt

Edited by Franklin Rosemont and Robin D.G. Kelley

Inhaltsangabe

1. List of Illustrations
2. Acknowledgments
3. Introduction: Invisible Surrealists
4. Part 1. The First Black Surrealists
5. Martinique
6. Etienne Léro
* Légitime Défense Manifesto
* Civilization
* And the Ramps
* Abandon
* Put
7. Simone Yoyotte
* Pyjama-Speed
8. Pierre Yoyotte
* Theory of the Fountain
* Antifascist Significance of Surrealism
9. Maurice-Sabas Quitman
* Paradise on Earth
10. Jules Monnerot
* On Certain Traits Particular to the Civilized Mentality
* Indispensable Poetry
11. Yva Léro
* Little Black Divers
12. Aimé Césaire
* Négreries
13. Jamaica
14. Claude McKay
* Down to the Roots
15. Cuba
16. Juan Breá
* My Life Is a Sunday
* Thoughts
17. Juan Breá and Mary Low
* Notes on the Economic Causes of Humor
18. Trinidad
19. C.L.R. James
* Introduction to Red Spanish Notebook
20. Part 2. Tropiques: Surrealism in the Caribbean
21. Martinique
22. Aimé Césaire
* Panorama
* Introduction to Black American Poetry
* In the Guise of a Literary Manifesto
* Keeping Poetry Alive
* Isidore Ducasse, Comte de Lautréamont
23. Suzanne Césaire
* Poverty of a Poetry
24. Aimé Césaire, Suzanne Césaire et al.
* Voice of the Oracle
25. René Ménil
* Introduction to the Marvelous
* The Orientation of Poetry
* What Does Africa Mean to Us?
* Poetry, Jazz & Freedom
26. Lucie Thésée
* Preference
27. Georges Gratiant
* Extinct Volcano
28. Aristide Maugée
* Aimé Césaire, Poet
* Review of Reviews
29. Georgette Anderson
* Symbolism, Maeterlinck & the Marvelous
30. Stéphane Jean-Alexis
* A Note on Chance
31. Cuba
32. Wifredo Lam
* Picasso
* Arrows in Rapid Flight
33. Agustín Cárdenas
* One, Two, Three
34. Jacques Roumain
* When the Tom-Tom Beats
35. Haiti
36. Clément Magloire-Saint-Aude
* Utterances
* Talismans
* Not the Legend
* Three Poems
* The Surrealist Record
* On Poetry
37. René Bélance
* Awareness
* Noise
* Encounter with Life
38. Hervé Télémaque
* Why Are You Performing, Jean?
39. Dominican Republic
40. Aída Cartagena Portalatín
* Moon and Marble
41. Trinidad
42. John Jacob Thomas
* Creole Proverbs
43. John La Rose
* Connecting Link
44. Puerto Rico
45. Luis A. Maisonet
* Freedom of Expression for Young Children
46. Part 3. South America
47. Brazil
48. João Cruz e Souza
* Black Rose
* Tenebrous
49. Rosário Fusco
* Wind in the Woods
50. Sosígenes Costa
* The Golden Papyrus
* The Red Peacock
51. Fernando Mendes de Almeida
* Phantom Carrousel
52. Jorge de Lima
* Howling Dogs
53. Guyana
54. Léon-Gontran Damas
* For Sure
* Good Breeding
* A Caribbean View on Sterling A. Brown
* A Single Instant of Belief
* Negritude and Surrealism
55. Wilson Harris
* Voodoo, Trance, Poetry and Dance
56. Colombia
57. Heriberto Cogollo
* The World of a Nohor
58. Part 4. Africa
59. Egypt
60. Long Live Degenerate Art!
61. Georges Henein
* Manifesto
* Art and Freedom
* Hot Jazz
* Between the Eagle's Nest and the Mouse-Trap
* Perspectives
* Jacques Vaché
* The Plain Truth
* A Tribute to André Breton
62. Ikbal El Alailly
* Portrait of the Author as a Young Rabbit
* Post-Scriptum
63. Anwar Kamel
* The Propagandists of Reaction and Us
64. Ramses Younane
* What Comes After the Logic of Reason?
65. Victor Musgrave
* Voices in the Twilight
66. Albert Cossery
* The House of Certain Death
67. Joyce Mansour
* Floating Islands
* Fresh Cream
* Forthwith to S
* North Express
* Response to an Inquiry on Magic Art
68. Morocco
69. Robert Benayoun
* No Rhyme for Reason!
* The Obscure Protests
* Letter to Chicago
* The Phoenix of Animation
* Too Much Is Too Much
* Comic Sounds
70. Abdellatif Laâbi
* Rue du Retour
71. Tunisia
72. Farid Lariby
* Pome Brut
73. Algeria
74. Henri Kréa
* Never Forever Once More
* Oh Yes
75. Jean-Michel Atlan
* The Time Has Come to Call Up a World
76. Baya
* The Big Bird
77. Habib Tengour
* Maghrebian Surrealism
78. Senegal
79. Cheikh Tidiane Sylla
* Surrealism and Black African Art
* The Spirit of Unity---For Freedom
80. Congo
81. Tchicaya U Tam'si
* Against Destiny
82. Mozambique
83. Inácio Matsinhe
* Painting as a Contribution to Consciousness
* I Became a Tortoise to Resist Torture
* The Snake
84. Angola
85. Malangatana Valente Ngwenya
* Survivor among Millions
86. Amílcar Cabral
* National Liberation and Culture
87. Antonio Domingues
* The Influence of Aimé Césaire in Portuguese-speaking Africa
88. Madagascar
89. Jean-Joseph Rabéarivelo
* A Purple Star
90. South Africa
91. Dennis Brutus
* The Sun on This Rubble
* Poet against Apartheid
92. Part 5. Surrealist Beginnings in the United States, 1930s-1950s
93. Fenton Johnson
* The Phantom Rabbit
* Tired
94. George Herriman
* Positivilly Marvillis
95. Jean Toomer
* Essentials
96. Zora Neale Hurston
* How the Gods Behave
97. Richard Wright
* Lawd Today
98. Ralph Ellison
* The Poetry of It
* Bearden & the Destruction of the Accepted World
99. Russell Atkins
* Upstood Upstaffed
100. Part 6. The 1950s Surrealist Underground in the United States
101. Ted Joans
* Ted Joans Speaks
102. Bob Kaufman
* Abomunist Manifesto
* $$ Abomunus Craxioms $$
* Abomunist Election Manifesto
103. Tom Postell
* Gertrude Stein Rides the Torn Down El to NYC
* Harmony
104. Percy Edward Johnston
* Variations on a Theme
105. Part 7. Surrealism, Black Power, Black Arts
106. Ted Joans
* Proposition for a Black Power Manifesto
107. Hart Leroy Bibbs
* Hurricane
* Black Spring
108. Jayne Cortez
* National Security
* Making it
109. St. Clair Drake
* Negritude and Pan-Africanism
110. Edward A. Jones
* The Birth of Black Awareness
111. Ishmael Reed
* Boxing on Paper
112. Katherine Dunham
* Ballet Nègre
* Notes on the Dance
113. Melvin Edwards
* Lynch Fragments
114. Joseph Jarman
* Odawalla
115. Oliver Pitcher
* Jean-Jacques
116. Frank London Brown
* Jazz
117. Pony Poindexter
* Jazz Is More French Than American
118. Anthony Braxton
* Earth Music
119. Thelonious Monk
* Three Score
120. Cecil Taylor
* The Musician
121. Ornette Coleman
* Harmolodic = Highest Instinct
122. Sun Ra
* Cosmic Equation
* The Endless Realm
123. Babs Gonzales
* I Paid My Dues
124. A. B. Spellman
* The New Thing in Jazz
125. Dizzy Gillespie
* Gertrude Abercrombie
126. Part 8. Toward the New Millennium: The Mid-1970s through the 1990s
127. Aimé Césaire
* My Joyful Acceptance of Surrealism
* Homage to Frantz Fanon
128. Jayne Cortez
* There It Is
* What's Ugly
* Poetry Music Technology
* Everything Can Be Transformed
* Taking the Blues Back Home
* Léon Damas
* Mainstream Statement
* Larry's Time
129. Amiri Baraka
* The Changing Same
130. James G. Spady
* Larry Neal Never Forgot Philly
131. Charlotte Carter
* On Film
132. Robin D. G. Kelley
* Reflections on Malcolm X
133. Norman Calmese
* My Discovery of Surrealism
134. Cheikh Tidiane Sylla
* Time-Traveler's Potlatch
135. Ted Joans
* Kaufman Is a Bird Called Bob
* Cogollo
136. Part 9. Looking Ahead: Surrealism Today and Tomorrow
137. Aimé Césaire
* I Do Not Agree to Receive the Minister
138. Robin D. G. Kelley
* Surrealism
139. Ayana Karanja
* Contemplation
140. Melvin Edwards
* Thinking about Surrealism
141. T. J. Anderson III
* At Last Roundup
* Vaudeville 1951
142. Michael Stone-Richards
* Surrealist Subversion in Everyday Life (with Julien Lenoir)
143. Ron Allen
* Revelation
* Conversation between Eye and Mouth
144. Anthony Joseph
* How Surrealism Found Me
* Extending Out to Brightness
145. Patrick Turner
* Unrestricted Images
146. Adrienne Kennedy
* People Who Led Me to My Plays
147. Tyree Guyton
* There Is a True Magic Here
148. Henry Dumas
* Will the Circle Be Unbroken?
149. Deusdedit de Morais
* Café de Cherbourg
150. Jayne Cortez
* Poetry Coming as Blues and Blues Coming as Poetry
* Free Time Friction
151. Afterword: Surrealism and the Creation of a Desirable Future, by Robin
D. G. Kelley
152. Bibliography
153. Index