Black Configurations is the first volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of "tradition," haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.
Black Configurations is the first volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of "tradition," haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kimberly W. Benston is Francis B. Gummere Professor of English and Africana Studies at Haverford College, where he has also served as Provost and President.
Inhaltsangabe
Volume I: Black Configurations: The Ethos of "Tradition" from Sterling Brown to Toni Morrison- Introduction: The Conceit of Tradition Sterling Brown: Tradition as Vernacular "Lie" Zora Neale Hurston: Tradition as Scene of Instruction Ralph Ellison: Tradition as Tragicomic Encounter Amiri Baraka Tradition as the Changing Same Larry Neal: Tradition as Kuntu Montage Michael Harper: Tradition as Modal Improvisation Toni Morrison: Tradition as Traumatic Re-Memory Volume II: Black Hauntologies: Slavery, Modernity, and Spectral Re-Vision-Introduction: Haints of the Past Spectral (Re)Origination: Modernity, Slavery, and Traumatic Enuncation Spectral Revolution: Slavery, Modernity, and the Politics of Conversation Spectral (Re)Vision: Photography, Archive, and Transgressive Illumination Conclusion: Ghosts of the Future Volume III: Black Refigurations: Facing, Naming, and Voicing-Pre-Face: Entering the Master's Book (E)Facing: Topographical Visions (Un)Naming: Transgressive Revisions (Re)Voicing: Transformative Beginnings Post-Script: Beyond the Copy-Book.
Volume I: Black Configurations: The Ethos of "Tradition" from Sterling Brown to Toni Morrison- Introduction: The Conceit of Tradition Sterling Brown: Tradition as Vernacular "Lie" Zora Neale Hurston: Tradition as Scene of Instruction Ralph Ellison: Tradition as Tragicomic Encounter Amiri Baraka Tradition as the Changing Same Larry Neal: Tradition as Kuntu Montage Michael Harper: Tradition as Modal Improvisation Toni Morrison: Tradition as Traumatic Re-Memory Volume II: Black Hauntologies: Slavery, Modernity, and Spectral Re-Vision-Introduction: Haints of the Past Spectral (Re)Origination: Modernity, Slavery, and Traumatic Enuncation Spectral Revolution: Slavery, Modernity, and the Politics of Conversation Spectral (Re)Vision: Photography, Archive, and Transgressive Illumination Conclusion: Ghosts of the Future Volume III: Black Refigurations: Facing, Naming, and Voicing-Pre-Face: Entering the Master's Book (E)Facing: Topographical Visions (Un)Naming: Transgressive Revisions (Re)Voicing: Transformative Beginnings Post-Script: Beyond the Copy-Book.
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